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Advice to the Lovelorn (1933) + You Belong To Me (1934) Badge Of Honor (1934) + Oil Raider (1934) A Bedtime Story
Advice to the Lovelorn (1933) + You Belong To Me (1934)
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Badge Of Honor (1934) + Oil Raider (1934)
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Bedtime Story (1933) + Playboy Of Paris (1930)
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Advice to the Lovelorn (1933 - 60 min): Based on Nathaniel West's Miss Lonelyhearts, Advice to the Lovelorn is a comedy-drama about a hotshot reporter (Lee Tracy) who is forced to become an advice columnist.
Hiding behind a female nom de plume, the cynical Tracy dispenses fatuous advice and becomes quite popular.

You Belong to Me (1934 - 67 min): You Belong to Me is a showcase for juvenile performer David Jack Holt, youngest son of action star Jack Holt. The boy is cast as Jimmy Faxon, the son of recently widowed vaudeville performer Florette Faxon (Helen Mack).
BADGE OF HONOR
Crabbe is cast as Bob Gordon, a spoiled society boy who finds himself in a small town, rife with political corruption.
Hoping to bring the crooks to justice, Bob poses as a hotshot reporter, getting away with all sorts of outrages by explaining "Well, a newspaperman can do a little bit of everything."

THE OIL RAIDER
This robust action-melodrama stars Larry "Buster" Crabbe as an oil prospector whose financial backer turns crooked when he suddenly finds himself faced with bankruptcy. Learning that Dave Warren (Crabbe) has been forced to fire a troublesome worker, Simmons (Max Wagner), the backer, J.T. Varley (George Irving), convinces the man to sabotage Dave's truck.


A Bedtime Story: This musical comedy stars Maurice Chevalier as (what else?) a Parisian playboy with a song and a kiss for every beautiful woman in sight. His libertine ways are stemmed when Chevalier finds himself saddled with an abandoned baby.

Playboy Of Paris: In this sparkling musical comedy, a bungling waiter (Maurice Chevalier) loses his job at a tony restaurant. His employment prospects look grim until the opportunistic restaurateur learns that his ex-employee is slated to receive a vast inheritance.
Blind Date (1934) Blood Money Bolero (1934) + Rumba (1935)
Blind Date (1934) + Grand Exit (1935)
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Blood Money (1933) + Pleasure Cruise (1933)
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Bolero (1934) + Rumba (1935)
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BLIND DATE (1934)
After being stood up on her birthday, Kitty goes on a double-date/blind date, where she meets department store heir Bob Hartwell (Hamilton). She falls in love, but leaves him when his protestations of love appear to cover a desire for her to be his mistress, rather than his wife.

GRAND EXIT (1935)
ANN SOTHERN and EDMUND LOWE are teamed again, and this time it's a suspenseful little drams about tracking down an arsonist. It's a clever story with some brisk dialog that keeps things going merrily along while the chase for the arsonist consumes most of the plot.
Blood Money (1933 - 66 min)
George Bancroft's tough bailbondsman has no qualms cheating little old ladies out of their life savings in Blood Money, a surprisingly violent pre-code gangster thriller. "I make all my money from losers," Bancroft snarls at one point.

Pleasure Cruise (1933 - 72 min)
Genevieve Tobin plays the bored wife of novelist Roland Young, who, after an argument with her spouse, decides to leave for a while and sets out on a pleasure cruise, hoping for a romance.
BOLERO: Bolero stars George Raft as Raoul de Barre, an arrogant dancer who rises to fame in the years prior to, during, and after WW I. Raoul is helped along the way by his promoter brother Mike (William Frawley) and scores of willing females, matriculating from two-bit gigolo to the greatest ballroom dancer in Paris.

Rumba: A follow-up to the highly successful Bolero, this lively romantic drama stars George Raft as Joe Martin, a Cuban-American dancer who lives and works in Havana with his lovely partner Goldie Allen until a bad case of varicose veins forces impacts his career.

Border Cabellero (1936) + Last of the Warrens (1936) Born Reckless (1937) + Midnight Taxi (1937) Broadway Bad (1934) + Hello, Sister (1933)
Border Cabellero (1936) + Last of the Warrens (1936)
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Born Reckless (1937) + Midnight Taxi (1937)
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Broadway Bad (1934) + Hello, Sister (1933)
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Border Cabellero (1936)
Ralph Byrd plays Tex Weaver, a G-man going undercover as a bank robber in order to flush out gang leader Buff Brayden (Ted Adams). Assisted by former agent Tim Ross (McCoy) and kindhearted gangster's moll Goldie Harris (Lois January), Tex learns of a forthcoming raid on the Bordertown bank.

Unfortunately, while appearing with Tim's medicine show, Tex is killed by a bullet fired offstage simultaneously with Tim's. Accused of murder, Tim makes his escape, rejoins the Justice Department, and manages to not only foil the bank heist but also gather enough evidence to convict both Brayden and his boss, bank examiner Willey Taggart (J. Frank Glendon).

Last of the Warrens (1936)
Last of the Warrens is better than most of Bob Steele's westerns for A.W. Hackel's Supreme Pictures. The hero, Ted Warren, spends the lion's share of his screen time searching for the murderer of his father. In a unique twist, the bad guy turns out to be a government agent, which speaks not at all well for the G-Man screening process.

Born Reckless: Racketeer Jim Barnes is trying to force the independent taxicab-drivers to join his 'protection service" at the cost of five bucks a day. Champion race-car driver, Bob Kane, joins with his friends Lee and "Dad" Martin in a fight for the street rights of a big city.

Midnight Taxi: Donlevy is cast as Chick Gardner, a federal agent who poses as a New York cab driver. His plan is to use his cover to expose a gang of counterfeiters, who've been using taxis as their means of distribution.
Broadway Bad: Broadway Bad stars Joan Blondell as a wisecracking but goodhearted chorus girl whose husband (Ricardo Cortez) is an abusive lout. Blondell's plight makes the headlines, which results in an upswing in her career.

Hello, Sister: Love turns into an unhealthy obsession in this offbeat drama. Millie (Zasu Pitts) and Peggy (Boots Mallory) are two friends who leave behind the small town where they were raised to try their luck in New York City.
Carnival (1935) + Two Fisted (1935) City Streets (1931) + The Glass Key (1935) Convicted (1931) + Iron Master (1933)
Carnival (1935) + Two Fisted (1935)
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City Streets (1931) + The Glass Key (1935)
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Convicted (1931) + Iron Master (1933)
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Carnival (1935 - 77 min)
In this melodramatic comedy a carnival puppeteer must cope with the death of his wife who expired while birthing his daughter. His father-in-law, decides to sue him for custody of the little girl because he believes carnival life with a single father will be harmful to her.

Two Fisted (1935 - 60 min)  
Lee Tracy stars as fast-lipped fight manager Hay Hurley, while Roscoe Karns co-stars as slow-witted pugilist Chick Moran. Flat broke, Hay and Chick take servant jobs in the household of wealthy Sue Parker (Gail Patrick).

City Streets:
Straight-arrow movie hero Gary Cooper is cast as a racketeer known only as The Kid. He has chosen a life of crime out of love for Nan (Sylvia Sidney), the daughter of mob henchman Pop Cooley (Guy Kibbee).

The Glass Key: George Raft plays Ed Beaumont, the right-hand man to genial ward heeler Paul Madvig (Edward Arnold), who wants to clean up his political act. On the eve of a major election, Madvig is implicated in a murder, and it's up to Beaumont to help him out.
Convicted: Aileen Pringle plays Clair Norville, an actress, who is taking a cruise. She is being harassed by another passenger, Tony Blair, (Richard Tucker), a producer of her last show. He has embezzled funds and is traveling with Constance (Dorothy Christy, the most natural actor in the movie) another actress, who wants her cut. 

Iron Master: In this drama, a bright young mill worker is left in charge of his late employer's estate. This causes many hard feelings from the surviving family. He forces the boss's son and daughter to work in the factory. They do not want to. For revenge they begin divulging trade secrets to a competitor. They only stop after the daughter falls in love.
Dancing Feet (1936) + Turn Off The Moon (1937) Dangerous Curves (1929) + True To The Navy (1930) Devil's Commandment (1955) + Monster Maker (1944)
Dancing Feet (1936) + Turn Off The Moon (1937)
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Dangerous Curves (1929) + True To The Navy (1930)
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Devil's Commandment (1955) + Monster Maker (1944)
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Dancing Feet: Dancing Feet stars Joan Marsh as Judy, a society deb who lands a job as a dime-a-dance girl to spite her wealthy grandfather (Purnell Pratt). While her fiancé Peyton (Ben Lyon) stews, Judy strikes up a friendship with Jimmy (Eddie Nugent), a bellhop who aspires to become a vaudeville dancer.

Turn Off The Moon: Department store owner Elliot Dinwiddy (Charlie Ruggles) never makes a decision without first consulting his astrologer Dr. Wakefield (Andrew Tombes). Problem is, Dinwiddy's dependence upon the stars to dictate his fate has a negative trickle-down effect on his impending marriage to his secretary Myrtle Tweep (Marjorie Gateson) -- and on the romance between store employees Terry Keith (Johnny Downs) and Caroline Wilson (Eleanor Whitley).

Dangerous Curves: Circus life provides the framework of this drama that chronicles the love, life, and aspiration of a young circus waif. The aspiring star is learning to walk the high-wire with the young wire-walker she adores. He loves another, his partner, but she is untrue to him. As a result he is almost on the edge of a breakdown.

True to the Navy: Clara Bow's flat Brooklynese voice seems perfectly suited for the rowdy goings-on in True to the Navy. The "It" girl plays Ruby Nolan, owner of a drug store frequented by she-sick sailors. Each of the gobs assumes that he's the only man in Ruby's life, and when several of her boyfriends converge upon the pharmacy all at once, they tear the joint apart.

The Devil's Commandment
This Italian vampire tale, released in Italy as I Vampiri,  stars Gianna Maria Canale as an ancient, sultry bloodsucker who, much like real-life kinswoman Countess Bathory, can only maintain her youthful appearance through the regular consumption of a serum derived from virgins' blood.

The Monster Maker
J. Carroll Naish stars as Markoff, a mad doctor who has no qualms about experimenting on human beings. Markoff's unwitting victim is famed concert pianist Lawrence (Ralph Morgan), who is injected with the doctor's acromegaly-inducing serum.

Devil's Holiday (1930) + Stolen Heaven (1931) Dude Ranch (1931) + Florida Special (1936) Early To Bed (1936) + People Will Talk (1935)
Devil's Holiday (1930) + Stolen Heaven (1931)
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Dude Ranch (1931) + Florida Special (1936)
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Early To Bed (1936) + People Will Talk (1935)
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The Devil's Holiday (1930 - 80 min) Nancy Carroll brings a touch of freshness to Devil's Holiday. Ms. Carroll plays a manicurist who woos and weds wealthy Phillips Holmes. She tells herself that she harbors no mercenary notions, but when Holmes' family offers to buy her off if she'll leave, Carroll accepts the offer.

Stolen Heaven (1931 - 73 min)
Nancy Carroll plays Mary, the streetwalker sweetheart of born-loser Joe (Phillips Holmes). Engineering a $20,000 robbery, Mary and Joe draw up a pact to spend all the money foolishly and then commit suicide.


Dude Ranch: Two of Hollywood's best contract comedians made a rare joint appearance in Dude Ranch. Jack Oakie heads the cast as Jenifer, the head of a traveling troupe of repertory actors. Finding themselves on the premises of a dude ranch, Jenifer and his actors strike up a deal with ranch proprietor Chester Carr (Stuart Erwin).

Florida Special: A Florida-bound train is filled with romance and intrigue in this comedy. Among the passengers is a millionaire bon vivant carrying $1 million in diamonds. He is fully aware that a gang of would-be jewel thieves have followed him and so pretends to be an invalid with an ice bag perpetually stuck to his head.

People Will Talk 1935 - 67 min.  People Will Talk was another one of the moneymaking comedies starring Charles Ruggles and Mary Boland. This time the middle-aged pair try to patch up the marriage of their daughter (Leila Hyams) and son-in-law Dean Jagger, with hair). They do this to quell the local gossip mongers, who have been set abuzz by the fact that daughter has come home alone.

Early to Bed   1936 - 75 min.  In one of the best Charlie Ruggles-Mary Boland vehicles of the 1930s, Ruggles plays a mild mannered husband prone to sleepwalking. His nocturnal prowlings cause no end of embarrassment for his wife (Mary Boland), especially since Ruggles is a more aggressive personality when asleep.
Every Night at Eight (1935) + Melody In Spring (1934) False Madonna (1932) and Vice Squad (1931) Father Brown, Detective (1935) + Wharf Angel (1934)
Every Night at Eight (1935) + Melody In Spring (1934)
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False Madonna (1932) + Vice Squad (1931)
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Father Brown, Detective (1935) + Wharf Angel (1934)
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Every Night At Eight:  Alice Faye, Frances Langford, and Patsy Kelly play three humble factory workers (with a Hollywoodized wardrobe beyond the budget of any genuine factory girl) who occasionally sing together for the fun of it. They harbor dreams of becoming famous, but the prospect isn't likely until bandleader George Raft hears the girls harmonizing.

Melody In Spring: Radio tenor Lanny Ross made a game bid for film stardom in  Melody in Spring. Though Ross, cast as one John Craddock, is given top billing, the picture belongs to the delightful screen team of Charlie Ruggles and Mary Boland as Warren and Mary Blodgett, sponsors of a popular network radio program. The inimitable Hermann Bing and the three Gale sisters --Joan, Jane and June -- dominate the supporting cast.

FALSE MADONNA: A pair of grifters, one of whom is impersonating a doctor, assist a sick woman while riding a train. After the woman dies, the female con-artist assumes her identity so that she can collect a large amount of money.

VICE SQUAD:  In this crime drama, an ambassador must become a police snitch for a corrupt vice squad and it nearly destroys his career. He survives the incident with reputation intact. But then the cops come 'round again.

Father Brown, Detective: G.K. Chesterton's crime-solving cleric Father Brown was first brought to the screen in 1934, in the corpulent form of Walter Connolly. The good father spends most of the film trying to retrieve a valuable diamond cross from elusive thief Flambeau (Paul Lukas). Father Brown is convinced that Flambeau is eminently redeemable, but the double-crossing thief hardly proves to be a prime candidate for salvation.

Wharf Angel:  Adapted from an earlier European film, Wharf Angel stars Dorothy Dell as Toy, a golden-hearted prostitute stranded in San Francisco. Toy finds hope for redemption when she falls in love with Como (Preston S. Foster), a sailor on the lam from a murder charge. In Madame Butterfly fashion, the heroine promises to wait for Como until he is able to clear himself.
For the Defense (1930) + Street Of Chance (1930) Gun Smoke (1931) and Secret Call (1931) Glamour Boy (1940) + Let's Fall in Love (1934)
For the Defense (1930) + Street Of Chance (1930)
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Girl O' My Dreams (1935) + Melody Lingers On (1935)
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Glamour Boy (1940) + Let's Fall in Love (1934)
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For the Defense (1930 - 62 min) William Powell stars in this drama as William Foster, a gifted defense attorney with a gift for making cases go his way. Foster's winning record in the courtroom has earned him a colorful clientele, including several notorious criminals, but he doubts his abilities when his girlfriend Irene Manners (Kay Francis) is charged with manslaughter after a violent incident which occurred while she was drinking.

Street of Chance (1930 - 76 min) This fact-based drama chronicles the events that led to the murder of a notorious gambler. The story begins when a young cardsharp goes to see his brother, whom he believes is a stockbroker. In reality, the brother is a famed gambler who is trying to quit and try to rebuild his marriage.
Girl O' My Dreams

Long before its "Teen Agers" series of the 1940s, Monogram Pictures went to college in the musical Girl of My Dreams. Heading the somewhat over-aged student body are BMOC Larry Haynes (Edward Nugent) and track-star Don Cooper (a handsome young Lon Chaney Jr., here still billed as Creighton Chaney).

The Melody Lingers On

American opera baritone George Houston, who later gained a measure of fame as a western hero, made his film debut in The Melody Lingers On. Houston plays Salvini, a dashing Italian army captain who enjoys a brief romantic fling with concert pianist Ann Prescott (Josephine Hutchinson).

Glamour Boy:  Former child star Jackie Cooper headlines this sentimental behind-the-scenes comedy drama. He plays an ex-child star who now jerks sodas for a living in Hollywood.

Let's Fall in Love:  A genial lampoon of the Greta Garbo craze, Let's Fall in Love stars Ann Sothern as Jean, a Brooklyn-born aspiring actress. It so happens that Ken (Edmund Lowe), an ambitious movie director, is searching for a Swedish actress to replace his temperamental star Forsell (Tala Birrell).
Great Hotel Murder (1935) + Guilty As Hell (1932) Gun Smoke (1931) and Secret Call (1931) Heads Up (1930) + Pointed Heels (1930)
Great Hotel Murder (1935) + Guilty As Hell (1932)
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Gun Smoke (1931) + Secret Call (1931)
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Heads Up (1930) + Pointed Heels (1930)
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The Great Hotel Murder: A writer of mysteries helps a house detective solve a murder in this murder mystery. The murder occurs in the hotel in which the writer is staying. It is a mystery because, though the corpse was found in a hotel room, it was not the room he had registered for.

Guilty as Hell: Victor McLaglen and Edmund Lowe carry their pugnacious Quirt-and-Flagg relationship into the murder mystery genre in Guilty as Hell. Actually, there's very little mystery involved, since the audience is informed at the outset that dignified Dr. Tindall (Henry Stephenson) is responsible for the death of his faithless wife (Claire Dodd).




GUN SMOKE
A bunch of urban gangsters, forced out of the Big City when the cops put the screws in, head to Idaho to continue their crooked activities in the Wide Open Spaces.

THE SECRET CALL
Peggy Shannon plays Wanda Kelly, the daughter of a disgraced politician. Reduced to working as a switchboard operator, Wanda is privy to the many secrets and indiscretions of the clients of a big-city hotel.

Heads Up:  In this action-musical, a Coast Guard ensign must investigate a yacht suspected of smuggling alcohol. While aboard, he falls for a lovely young woman. The woman disobeys her mother and begins seeing the ensign who soon discovers that the brains behind the operation is the man the woman's mother wanted her to marry.

Pointed Heels
: William Powell was still in his tux-and-top-hat period when he starred in Pointed Heels. The scene is Broadway, where millionaire Robert Courtland (Powell) promises to back a new musical production on the proviso that bit player Lora Nixon (Fay Wray) be given a major role.

Hollywood Boulevard (1936) + The Preview Murder Mystery (1936) It Can't Last Forever (1937) + Navy Wife (1936) The Lawyer's Secret
Hollywood Boulevard (1936) + The Preview Murder Mystery (1936)
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It Can't Last Forever (1937) + Navy Wife (1936)
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Lawyer's Secret (1931) + The Sea God (1930)
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Hollywood Boulevard 1936 - 70 min. Hollywood Boulevard is a trenchant look at the underside of Tinseltown. Though the nominal hero is a disillusioned screenwriter played by Robert Cummings (whose dialogue anticipates the lines spoken by William Holden in 1950's Sunset Boulevard), the focus of the story is John Halliday as a washed-up film star.

The Preview Murder Mystery 1936 - 60 min.It's a black night in Hollywood when matinee idol Neil DuBeck (Rod LaRoque) is murdered at the preview of his latest film. Director E. Gordon Smith (Ian Keith), who has long harbored a deep hatred for DuBeck, is the main suspect — until he too is killed, along with a movie-studio watchman (Spencer Charters).

It Can't last Forever:  Theatrical agents Russ Matthews (Ralph Bellamy) and Al Tinker (Robert Armstrong) try to make a quick buck by promoting bibuolous vaudeville fortune-teller Dr. Fothergill (Raymond Walburn) as a genuine prophet.

Navy Wife:  A Kathleen Norris novel was the source for this romantic drama, which begins when widowed navy doctor Quentin Harden (Ralph Bellamy) falls in love with nurse Vicki Blake (Claire Trevor). Despite her awareness that most naval marriages end in divorce, Vicki says "yes" when Harden proposes.
DOUBLE FEATURE with "The Sea God"
STARRING RICHARD ARLEN AND FAY WRAY
Lightning Carson Rides Again (1938) + Rip Roarin' Buckaroo (1936) Lottery Bride (1930) + One Heavenly Night (1931) Midnight Club (1933) + Yours For The Asking (1936)
Lightning Carson Rides Again (1938) + Rip Roarin' Buckaroo (1936)
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Lottery Bride (1930) + One Heavenly Night (1931)
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Midnight Club (1933) + Yours For The Asking (1936)
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Lightning Carson Rides Again
Lightning Carson's nephew has been falsely accused of murder. To get in with the gang, Lightning poses as a Mexican. He also appears as himself making his costume changes at his sister's ranch.

Rip Roarin' Buckaroo
This  western stars Tom Tyler, whose deep voice, wide grin and natural athleticism are the keys to the success of the film. He plays a prize fighter, 'Scotty' McQuade, who is tricked into losing a bout by the evil promoter, played by the smarmy Forrest Taylor.


The Lottery Bride:  Based on "Bride 66", a tone poem by composer Herbert Stothart, The Lottery Bride takes place in a distinctly Hollywoodized Norway. Ever on the lookout for extra cash, heroine Jenny Swanson (Jeanette MacDonald) coerces her sweetheart Chris Svenson (John Garrick) to participate with her in a three-day marathon race.

One Heavenly Night:  Evelyn Laye plays Lilli, a demure flower girl at a Budapest theater who worships the show's star, the temperamental and highly flirtatious Fritzi Yajos (Lilyan Tashman), despite the admonitions of her friend Otto (Leon Errol). Fritzi, however, commits one indiscretion too many and the local prefect of police (Henry Kolker) orders her to take a six months "vacation" in the country, but the highly combustible chanteuse is loath to leave her many lovers and convinces Lilli to go in her stead. 

Midnight Club:  Everybody in The Midnight Club is seeing double, and it's all the handiwork of slick London criminal mastermind Colin Grant (Clive Brook). Anyone who wants to commit a crime and get away with it had better get in touch with Grant, who obligingly provides exact doubles of the criminals so as to establish an alibi.

Yours For The Asking: In this crime comedy, a street-savvy gangster involves himself with a Miami socialite. Together, they conspire to turn her familial mansion into a secret gambling casino. The hood is convinced her beauty will draw customers and with the ensuing profits, the two will be able to pay their debts.
Moonlight and Pretzels (1933) + Wake Up And Dream (1934) My Marriage (1936) + Wild Gold (1934) Probation (1932) + Thrill Of A Lifetime (1937)
Moonlight and Pretzels (1933) + Wake Up And Dream (1934)
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My Marriage (1936) + Wild Gold (1934)
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Probation (1932) + Thrill Of A Lifetime (1937)
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Moonlight and Pretzels 1933 - 80 min.  In this musical, a promoter of songs finds himself marooned in a deadly dull little town during the Depression. While there, a lovely girl helps him put on a Broadway show supported by a successful gambler. Lyrics by Yip Harburg.

Wake up and Dream 1934 - 75 min. Wake Up and Dream was part of a concerted and successful effort to turn radio crooner Russ Columbo into a major movie star. The story is the old saw about a trio of vaudevillians, Paul (Columbo), Charley (Roger Pryor) and Toby (June Knight), who have a falling out when both Paul and Charley fall in love with Toby.
My Marriage: In this crime drama, a girl whose father was murdered by gangsters wants to marry into a rich family. Her fiance's mother hates the idea, but consents to the marriage so that she can break it up later. However, she changes her mind about the whole thing when it is revealed that her other son was involved with the murder.

Wild Gold:  This off-beat romantic melodrama contains elements of comedy not usually found in the genre as it tells the story of the love between a show girl fleeing from her husband, a grifter. She heads to a mining company and ends up involved with a dam engineer. When a dam accidentally breaks, the engineer's wife is conveniently swept away. Happiness ensues. The flood footage was lifted from The Johnstown Flood (1926).

Probation: Sally Blane (Loretta Young's look-alike sister) plays Janet, a Manhattan socialite who is fed up with the superficiality of her friends. Sensing that Janet is bored with life in general, her Uncle George (J. Farrell McDonald), who happens to be a judge, decides to show the girl how well off she really is.

Thrill of a Lifetime"Camp Romance," a place for the romantically challenged, provides the setting of this musical. The story centers on a frumpy secretary's crush on her handsome boss, the camp manager. The manager has been working on a musical. Just as he is about to finish it, the secretary gives herself a makeover, turns into a drop- dead knockout, and romantic bliss ensues.
Shep Comes Home (1949) + The Silver Trail (1937) Sunset Range (1935) + Trail of the Hawk (1937) Ten Dollar Raise aka $10 Raise (1935) + Your Uncle Dudley (1935) + Dad's Choice (1928) Classic Movie featuring Edward Everett Horton
Shep Comes Home (1949) + The Silver Trail (1937)
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Sunset Range (1935) + Trail of the Hawk (1937)
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Ten Dollar Raise aka $10 Raise (1935) + Your Uncle Dudley (1935) + Dad's Choice (1928)
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Shep Comes Home
Shep Comes Home is the sequel to Screen Guild's My Dog Shep (1946). The title pooch is played by "Flame" (who also starred in Columbia's "Rusty" series), while his orphaned master Larry is portrayed by Billy Kimberly.

Escaping from an orphanage, Larry and Shep hit the road, with a sympathetic old sheriff (J. Farrell McDonald) in pursuit. The boy and his dog come to the rescue of an innocent emigrant (Martin Garralaga) who has been blamed for the perfidy of a two-bit crook (Sheldon Leonard). An  inherently sentimental classic.

The Silver Trail
The Silver Trail serves as a vehicle for canine star Rin Tin Tin Jr. Essentially a western, the film's "human" stars include such sagebrush favorites as Rex Lease, Slim Whittaker and Tom London.

The story is set in motion by a gang of greedy claim jumpers, operating in silver-mining territory. Somewhere around reel 5, our heroes are in dire jeopardy, prompting Rinty Junior to gallop to the rescue.
Sunset Range (1935)
When Bonnie is leaving to take over her brother's Arizona ranch, Grant forces Eddie to hide the loot from the gang's latest bank heist in her suitcase. In Arizona, Bonnie immediately faces staff problems when sloppy cowhand Reasonin' Bates (Gibson) refuses to work for a lady.

But despite Reasonin's early misgivings, he and his fellow cowboys show a united front when Grant and his gang of city slickers arrive to retrieve the loot.

Trail of the Hawk (1937)
This tale is about a man who seeks out his Father after his mother passes away. After arriving at the ranch where his Father works, he doesn't tell anyone that he's kin, and the "proof", a locket, has disappeared.

He learns of a cowhand's plan to sabotage his father's cattle drive. Characters abound- we have the annoying kid cowboy, the over-stereotypical cook, (this time he's Italian) and of course the way-too-smart dog companion.

Ten Dollar Raise: Character comedian Edward Everett Horton is top-billed in Your Uncle Dudley. Horton is a civic-minded patsy who puts his own interests on the back burner so that he can help out his neighbors.

Your Uncle Dudley: A mild-mannered bookkeeper has trouble asserting himself in both his personal and professional life.

Dad's Choice: Edward Everett Horton plays the sweetheart of Sharon Lynne, whose father (Otis Harlan) doesn't approve -- even though he's never met "Eddie," he's convinced the young man is a lounge lizard
Thunder Below (1932) + White Woman (1933)
Thunder Below (1932) + White Woman (1933)
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Thunder Below (1932 - 67 min) Tallulah Bankhead's first Hollywood movie was this romantic-drama weepie, in which she plays Susan, the unhappy wife of oil rigger Walt (Charles Bickford), who labors in a Central American oil field. The bored Susan falls in love with Walt's good friend Ken (Paul Lukas) but keeps her husband in the dark about her feelings — until he's plunged into darkness for real when he loses his eyesight.

White Woman (1933 - 68 min)In this campy "adult-oriented" drama from the early 1930s, the ruthless manager of a Malaysian rubber plantation marries a singer facing deportation. He offers her a miserable existence of abuse and loneliness. She finds a bright spot with a handsome plantation worker.