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All the King's Horses (1935)
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Anything Goes (1936)
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Be Yourself (1930)
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Bedtime Story (1933) + Playboy Of Paris (1930)
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King Rudolf XIV of Langenstein, is too busy to make love to his wife, Queen Elaine of Langenstein, and good Queen Elaine is upset royally about it.
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Anything Goes is a fun-filled but hardly faithful adaptation of the same-named Cole Porter Broadway musical, with additional songs by Hoagy Carmichael, among many many others.
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The Rose of Washington Square is cast as Fanny Field, the long-suffering girlfriend of no-account, gin-swilling prizefighter Jerry Moore (Robert Armstrong). After sacrificing everything to advance Jerry's career, Fanny is "repaid" when Jerry dumps her in favor of femme fatale Lillian (Gertrude Astor).
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A Bedtime Story: This musical
comedy stars Maurice Chevalier as (what else?) a Parisian playboy with
a song and a kiss for every beautiful woman in sight. His libertine
ways are stemmed when Chevalier finds himself saddled with an abandoned
baby.
Playboy Of Paris: In this sparkling musical comedy, a bungling waiter (Maurice Chevalier)
loses his job at a tony restaurant. His employment prospects look grim
until the opportunistic restaurateur learns that his ex-employee is
slated to receive a vast inheritance.
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Big Pond (1930)
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Broadway Bad (1934) + Hello, Sister (1933)
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Caravan (1934)
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College Humor (1933)
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Pierre is a Venetian tour guide, who falls in love with wealthy American tourist Barbara. Her male relatives think that Pierre is merely a fortune-hunter, but Barbara's mom persuades her husband to give Pierre a job in his chewing-gum factory.
The men folk finally approve of Barbara's choice when Pierre comes up with the brilliant, money-making idea of coating the gum with liquor!
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Broadway Bad: Broadway Bad
stars Joan Blondell as a wisecracking but goodhearted chorus girl whose
husband (Ricardo Cortez) is an abusive lout. Blondell's plight makes
the headlines, which results in an upswing in her career.
Hello, Sister: Love turns into an unhealthy obsession in this offbeat drama. Millie (Zasu Pitts) and Peggy (Boots Mallory)
are two friends who leave behind the small town where they were raised
to try their luck in New York City.
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Charles Boyer played his first major Hollywood role (and gets to sing in the bargain!) in the oddball musical romance Caravan. Loretta Young stars as young Countess Wilms, who is forced to wed by midnight or lose her inheritance. She impulsively chooses gypsy vagabond Latzi (Boyer), offering him a huge sum of money if he'll consent.
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Directed by Wesley Ruggles, the musical sendup of College Humor centers around the blooming love between a college professor (Bing Crosby) and one of his students (Mary Carlisle).
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College Rhythm (1934)
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Coronado (1935)
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Dancing Feet (1936) + Turn Off The Moon (1937)
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Duffy's Tavern (1945)
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Jack Oakie plays Finnegan, a conceited gridiron hero whose prowess on the football field is exceeded only by his appreciation of the ladies. But his strutting manner and accompanying overbearing ego have alienated his one-time best friend Larry Stacey (Lanny Ross), a serious, more scholarly type who deeply resents the adulation heaped on Finnegan.
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Former child actor Johnny Downs acts his first adult lead in this nonsensical but charming little musical which benefits greatly from the appearance of Eddy Duchin and his band.
To keep troublesome socialite Johnny Marvin (Downs) out of mischief, Coronado Hotel manager Carlton (Jameson Thomas) persuades Duchin to hire the lad as a band member.
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Dancing Feet: Dancing Feet stars Joan Marsh as Judy, a society deb who lands a job as a dime-a-dance girl to spite her wealthy grandfather (Purnell Pratt). While her fiancé Peyton (Ben Lyon) stews, Judy strikes up a friendship with Jimmy (Eddie Nugent),
a bellhop who aspires to become a vaudeville dancer.
Turn Off The Moon: Department store owner Elliot Dinwiddy (Charlie Ruggles) never makes a decision without first consulting his astrologer Dr. Wakefield (Andrew Tombes).
Problem is, Dinwiddy's dependence upon the stars to dictate his fate
has a negative trickle-down effect on his impending marriage to his
secretary Myrtle Tweep (Marjorie Gateson) -- and on the romance between store employees Terry Keith (Johnny Downs) and Caroline Wilson (Eleanor Whitley).
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Several of Hollywood's brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite watering hole from old time radio shows.
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Enter Madame (1935)
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Every Night at Eight (1935) + Melody In Spring (1934)
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Folies Bergère (1935)
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George White's 1935 Scandals (1935)
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Grant's dreams of connubial bliss are shattered when he's forced to trail along while Landi tours the world with a huge entourage; he's also not happy with his wife's frequent temperamental outbursts.
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Every Night At Eight: Alice
Faye, Frances Langford, and Patsy Kelly play three humble factory
workers (with a Hollywoodized wardrobe beyond the budget of any genuine
factory girl) who occasionally sing together for the fun of it. They
harbor dreams of becoming famous, but the prospect isn't likely until
bandleader George Raft hears the girls harmonizing.
Melody In Spring:
Radio tenor Lanny Ross made a game bid for film stardom in Melody in
Spring. Though Ross, cast as one John Craddock, is given top billing,
the picture belongs to the delightful screen team of Charlie Ruggles
and Mary Boland as Warren and Mary Blodgett, sponsors of a popular
network radio
program. The
inimitable Hermann Bing and the three Gale sisters --Joan, Jane and June -- dominate the supporting cast.
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A nightclub entertainer (Chevalier), is hired to pose as his look-alike (also Chevalier), a prominent aviation tycoon. The masquerade causes consternation for the entertainer's girlfriend, who of course has no idea what's going on, and for the tycoon's wife, who can't understand why her cold-fish husband has suddenly become so warm and demonstrative.
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Broadway producer George White, who was the title character of 1934's George White's Scandals, heads for Florida following his latest hit.
He makes it to Georgia where he sees an advertisement for a show called White's Scandals.
Suspicious, he attends and learns that it is a hodge-podge variety show
put on by another fellow named White.
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Heads Up (1930) + Pointed Heels (1930)
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It Can't Last Forever (1937) + Navy Wife (1936)
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Lottery Bride (1930) + One Heavenly Night (1931)
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Love And Hisses (1937)
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In this action-musical, a Coast Guard ensign must investigate a yacht suspected of smuggling alcohol.
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DOUBLE FEATURE WITH "NAVY WIFE"
Theatrical agents Russ Matthews (Ralph Bellamy) and Al Tinker (Robert Armstrong) try to make a quick buck by promoting bibuolous vaudeville fortune-teller Dr. Fothergill (Raymond Walburn) as a genuine prophet.
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The Lottery Bride takes place in a distinctly Hollywoodized Norway. Ever on the lookout for extra cash, heroine Jenny Swanson (Jeanette MacDonald) coerces her sweetheart Chris Svenson (John Garrick) to participate with her in a three-day marathon race.
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Before sitting down to watch Love and Hisses, it's important to know that columnist Walter Winchell and bandleader Ben Bernie were engaged in a phony but highly publicized feud in the late 1930s. For the purposes of this film, the source of the Winchell-Bernie contretemps is pretty nightclub singer Simone Simon.
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Melody in Spring (1934)
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Midnight Club (1933)
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Moonlight and Pretzels (1933) + Wake Up And Dream (1934)
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Moulin Rouge (1934)
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DOUBLE FEATURE WITH Every Night at Eight
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Everybody in The Midnight Club is seeing double, and it's all the handiwork of slick London criminal mastermind Colin Grant (Clive Brook). Anyone who wants to commit a crime and get away with it had better get in touch with Grant, who obligingly provides exact doubles of the criminals so as to establish an alibi.
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DOUBLE FEATURE WITH Wake Up and Dream
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A remake of the silent film Her Sister From Paris, Moulin Rouge stars Constance Bennett in a dual role as twin French entertainers.
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Murder at the Vanities (1934)
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My Marriage (1936)
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Navy Wife (1936)
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New York Nights (1929)
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The Earl Carroll Vanities, a popular Broadway revue of the 1930s and '40s, is the setting for this murder mystery.
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In this crime drama, a girl whose father was murdered by gangsters wants to marry into a rich family. Her fiance's mother hates the idea, but consents to the marriage so that she can break it up later. Double feature with "Wild Gold"
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DOUBLE FEATURE WITH "IT CAN'T LAST FOREVER"
Despite her awareness that most naval marriages end in divorce, Vicki says "yes" when Harden proposes. Soon she begins to suspect that he still carries a torch for his late wife, but she remains with Harden for the sake of his crippled daughter (Anne Howard).
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Terrified at the prospect of making her talking-picture debut, silent-screen queen Norma Talmadge spent several months taking diction lessons before shooting commenced on New York Nights. Co-Starring Gilbert Roland.
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One Heavenly Night (1931)
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One Night of Love (1934)
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Paris in Spring (1935)
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Revielle with Beverly (1943)
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Evelyn Laye plays Lilli, a demure flower girl at a Budapest theater who worships
the show's star, the temperamental and highly flirtatious Fritzi Yajos (Lilyan Tashman), despite the admonitions of her friend Otto (Leon Errol).
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After several false starts, opera star Grace Moore became a motion picture success in the sublimely assembled One Night of Love.
Moore
opens the film by losing a radio talent contest in New York. She
disconsolately heads to Europe, where the best job she can come up with
is singing in a restaurant. Here she is discovered by brilliant
voice-teacher Tulio Carminatti, who carefully nurtures Moore
until she becomes the toast of the European opera world.
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Mary Ellis plays Simone, who breaks up her long-standing engagement with Paul de Lille (Carminati) because she balks at the notion of marriage. Simultaneously, young lovers Mignon (Ida Lupino) and Albert (James Blakely) split up for the same reason.
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Beverly Ross moderates an 5:30 am radio show with swing music, dedicated to the local servicemen. Two buddies of her brother have a chance to meet her and both fall in love.
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Safety In Numbers (1930)
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She Loves Me Not (1934)
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Shoot The Works (1934)
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Stolen Harmony (1935)
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In this light musical comedy, an aspiring songwriter tries to
make it big on Broadway. Later his uncle decides to show him all about
the world and so hires three gorgeous show girls to take him around the
Big Apple.
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Miriam Hopkins plays a showgirl who witnesses a gangland slaying. Bing Crosby and Elliot Nugent are somewhat over-aged Princeton University students who agree to hide Miriam.
They disguise her as a boy (a remarkable achievement) and manage to pull the wool over the eyes of the dean (Henry Stephenson) and even the dean's daughter (Kitty Carlisle).
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Jack Oakie stars as seedy sideshow barker Nicky, who uses everyone he meets to get ahead. Nicky isn't even above exploiting his singing sweetheart Lily (Dorothy Dell) to suit his purposes, but this time it is he who ends up the loser -- at least until he gets wise to himself.
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In this bouncy musical, a sax-playing ex-convict joins a swing band and embarks upon a cross-country tour. He does really well until an old friend tries to tempt him into becoming a criminal again. The convict refuses the offer so the "friend" retaliates by doing the job anyway and leaving the con to take the rap.
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Take a Chance (1933)
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Thanks A Million (1935)
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Turn Off The Moon (1937)
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Two For Tonight (1936)
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What's to dislike about this movie? Night Owl is a cute tune. Cliff Edwards and James Dunn have a lot of fun. June Knight looks good and Dorothy Lee takes the swivel hip's to a new level. Buy a copy of this movie and have an evening of fun.
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A sharp satire of small-town politics, Thanks a Million stars Dick Powell
as the leading man of a traveling musical show.
During a short
stopover, the troupe witnesses a political rally where a pompous
candidate (Raymond Walburn) is wallowing in ineptitude.
Sensing a quick-buck opportunity, the show's manager (Fred Allen) offers to entertain on the politician's behalf.
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Double Feature with DANCING FEET
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Based on an obscure stage play, the musical comedy Two for Tonight stars Bing Crosby as would-be composer and playwright Gilbert Gordon. Hired by music publisher Alexander Myers (Maurice Cass) to write a musical for temperamental stage star Lilly Bianca (Thelma Todd), Gordon is less than thrilled to discover that he must complete the job in one week.
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Wake Up and Dream (1934)
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Young Bing Crosby
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Wake Up and Dream was part of a concerted (and successful) effort to turn radio crooner Russ Columbo into a major movie star. DOUBLE FEATURE WITH Moonlight and Pretzels
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FOUR DVD BOX SET
- College Humor
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