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A Lady's Profession (1933)
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Advice to the Lovelorn (1933) + You Belong To Me (1934)
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All the King's Horses (1935)
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Anything Goes (1936)
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A couple of down-and-out British aristocrats buy an American roadhouse in this uproarious farce. Naming the establishment after their estate in the old country, Twicket-on-Topping, Lady Beulah (Alison Skipworth) and her brother Sir Reginald (Roland Young) run afoul of American gangsters.
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Advice to the Lovelorn (1933 - 60 min):
Based on Nathaniel West's Miss Lonelyhearts, Advice to the Lovelorn is a comedy-drama about a hotshot reporter (Lee Tracy) who is forced to become an advice columnist. Hiding behind a female nom de plume, the cynical Tracy dispenses fatuous advice and becomes quite popular.
You Belong to Me (1934 - 67 min):
You Belong to Me is a showcase for juvenile performer David Jack
Holt, youngest son of action star Jack Holt. The boy is cast as Jimmy
Faxon, the son of recently widowed vaudeville performer Florette Faxon
(Helen Mack).
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King Rudolf XIV of Langenstein, is too busy to make love to his wife, Queen Elaine of Langenstein, and good Queen Elaine is upset royally about it.
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Anything Goes is a fun-filled but hardly faithful adaptation of the same-named Cole Porter Broadway musical, with additional songs by Hoagy Carmichael, among many many others.
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Arizona to Broadway (1933)
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Bedtime Story (1933) + Playboy Of Paris (1930)
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Big Broadcast of 1937 (1936)
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Big Pond (1930)
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While traveling through Arizona, carnival huckster Smiley Wells (James
Dunn) makes the acquaintance of sweet small-town girl Lynn Martin (Joan Bennett). Upon learning that a gang of slick operators
has swindled a huge sum of money from Lynn's mother, Smiley decides
that money lost through larceny can be won back the same way.
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A Bedtime Story: This musical
comedy stars Maurice Chevalier as (what else?) a Parisian playboy with
a song and a kiss for every beautiful woman in sight. His libertine
ways are stemmed when Chevalier finds himself saddled with an abandoned
baby.
Playboy Of Paris: In this sparkling musical comedy, a bungling waiter (Maurice Chevalier)
loses his job at a tony restaurant. His employment prospects look grim
until the opportunistic restaurateur learns that his ex-employee is
slated to receive a vast inheritance.
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THE BIG BROADCAST OF 1937 (1936), directed by Mitchell Leisen, is the third installment of the "Big Broadcast" musicals, and possibly the best and funniest of the series. The film series follows the pattern of the first two titles: negligible plot with plenty of memorable music and guest stars. Jack Carson (Jack Benny) owns the radio station this time out; he doesn't get along with the sponsors, and many are threatening to pull their advertising off the air.
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Pierre is a Venetian tour guide, who falls in love with wealthy American tourist Barbara. Her male relatives think that Pierre is merely a fortune-hunter, but Barbara's mom persuades her husband to give Pierre a job in his chewing-gum factory.
The men folk finally approve of Barbara's choice when Pierre comes up with the brilliant, money-making idea of coating the gum with liquor!
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Bird of Paradise (1932)
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Blind Date (1934) + Grand Exit (1935)
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Blood Money (1933) + Pleasure Cruise (1933)
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Bride Comes Home (1936)
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Joel
McCrea stars as a handsome South Seas soldier of fortune who falls
in love with Dolores Del Rio, the daughter of a
Polynesian native chieftain. Alas, their idyllic romance is destined to
come to a sudden and violent end: tribal custom decrees that Del Rio
is to be sacrificed to the local volcano.
After initial resistance, the
heroine nobly resigns herself to her fate, realizing that there is no
place for her in her white lover's civilization.
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BLIND DATE (1934) After being stood up on her birthday, Kitty goes on a double-date/blind date, where she meets department store heir Bob Hartwell (Hamilton). She falls in love, but leaves him when his protestations of love appear to cover a desire for her to be his mistress, rather than his wife.
GRAND EXIT (1935)
ANN SOTHERN and EDMUND LOWE are teamed again,
and this time it's a suspenseful little drams about tracking down
an arsonist. It's a clever story with some brisk dialog that keeps
things going merrily along while the chase for the arsonist consumes
most of the plot.
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Blood Money (1933 - 66 min)
George Bancroft's tough bailbondsman has no qualms cheating little old
ladies out of their life savings in Blood Money, a surprisingly violent
pre-code gangster thriller. "I make all my money from losers," Bancroft
snarls at one point.
Pleasure Cruise (1933 - 72 min) Genevieve
Tobin plays the bored wife of novelist Roland Young, who, after an
argument with her spouse, decides to leave for a while and sets out on
a pleasure cruise, hoping for a romance.
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Jack Bristow (Robert Young), one of the staffers, tells Cyrus about Jeanette's misfortunes, and while he's not initially swayed by this tale of woe, Cyrus buckles under and hires her, primarily because Jack has lobbied strongly for her (which might have something to do with the fact he finds her attractive).
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Bulldog Jack (1935)
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Change Of Heart (1934)
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Charlie's Aunt (1930)
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College Humor (1933)
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British musical comedy star Jack Hulbert plays an amateur sleuth who takes over for the "real" Bulldog Drummond (Atholl Fleming), who is sidelined by an injury.
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Four courageous college graduates become heroes when they successfully complete a 15-hour coast-to-coast plane flight. Alas, things don't go so well for the foursome when they return to earth to seek out employment.
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Two Oxford undergraduates, Charley Wickeham (Hugh Williams) and Jack Chesney (Rodney McLennon), anxiously await the visit of their respective girlfriends Amy Spettigue (June Collyer) and Kitty Verdun (Flora Sheffield). Trouble is, the ladies have no chaperone, and this will never do in the hallowed halls of Oxford.
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Directed by Wesley Ruggles, the musical sendup of College Humor centers around the blooming love between a college professor (Bing Crosby) and one of his students (Mary Carlisle).
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College Rhythm (1934)
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Connecticut Yankee (1931)
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Coronado (1935)
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Dancing Feet (1936) + Turn Off The Moon (1937)
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Jack Oakie plays Finnegan, a conceited gridiron hero whose prowess on the football field is exceeded only by his appreciation of the ladies. But his strutting manner and accompanying overbearing ego have alienated his one-time best friend Larry Stacey (Lanny Ross), a serious, more scholarly type who deeply resents the adulation heaped on Finnegan.
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This Mark Twain adaptation affords a rare opportunity to enjoy a "collaboration" between two of America's greatest humorists. Will Rogers plays the operator of a tiny radio repair shop, who is called to an old mansion to replace a battery on a dark and stormy night.
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Former child actor Johnny Downs acts his first adult lead in this nonsensical but charming little musical which benefits greatly from the appearance of Eddy Duchin and his band.
To keep troublesome socialite Johnny Marvin (Downs) out of mischief, Coronado Hotel manager Carlton (Jameson Thomas) persuades Duchin to hire the lad as a band member.
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Dancing Feet: Dancing Feet stars Joan Marsh as Judy, a society deb who lands a job as a dime-a-dance girl to spite her wealthy grandfather (Purnell Pratt). While her fiancé Peyton (Ben Lyon) stews, Judy strikes up a friendship with Jimmy (Eddie Nugent),
a bellhop who aspires to become a vaudeville dancer.
Turn Off The Moon: Department store owner Elliot Dinwiddy (Charlie Ruggles) never makes a decision without first consulting his astrologer Dr. Wakefield (Andrew Tombes).
Problem is, Dinwiddy's dependence upon the stars to dictate his fate
has a negative trickle-down effect on his impending marriage to his
secretary Myrtle Tweep (Marjorie Gateson) -- and on the romance between store employees Terry Keith (Johnny Downs) and Caroline Wilson (Eleanor Whitley).
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Divorce of Lady X (1938)
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Down To Earth (1932)
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Dude Ranch (1931) + Florida Special (1936)
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Duffy's Tavern (1945)
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Filmed in lavish Technicolor and given Tiffany production values by producer Alexander Korda, the British comedy Divorce of Lady X is at base a trivial little farce, buoyed by the sprightly performances of star Merle Oberon and Laurence Olivier.
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This sequel to the highly successful Will Rogers vehicles They Had to See Paris and So This is London details the further adventures of the nouveau riche Peters family of Claremore, Oklahoma.
Oil millionaire Pike Peters (Will Rogers) remains his old "down to earth" self, but his family -- wife Idy (Irene Rich) and son Ross (Matty Kemp)
-- insist upon taking on airs.
Idy's improvidence reaches hitherto
unscaled heights when she insists upon rebuilding the family's French
chateau in their hometown of Claremore.
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Dude Ranch: Two of Hollywood's
best contract comedians made a rare joint appearance in Dude Ranch.
Jack Oakie heads the cast as Jenifer, the head of a traveling troupe of
repertory actors. Finding themselves on the premises of a dude
ranch, Jenifer and his actors strike up a deal with ranch proprietor
Chester Carr (Stuart Erwin).
Florida Special: A Florida-bound train is filled with romance and intrigue in this
comedy. Among the passengers is a millionaire bon vivant carrying $1
million in diamonds. He is fully aware that a gang of would-be jewel
thieves have followed him and so pretends to be an invalid with an ice
bag perpetually stuck to his head.
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Several of Hollywood's brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite watering hole from old time radio shows.
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Early To Bed (1936) + People Will Talk (1935)
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Enter Madame (1935)
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Folies Bergère (1935)
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Four Clowns (1970)
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People Will Talk 1935 - 67 min. People Will Talk was another one of
the moneymaking comedies starring Charles Ruggles and Mary Boland. This
time the middle-aged pair try to patch up the marriage of their
daughter (Leila Hyams) and son-in-law Dean Jagger, with hair). They do
this to quell the local gossip mongers, who have been set abuzz by the
fact that daughter has come home alone.
Early to Bed 1936 - 75 min. In one of the
best Charlie Ruggles-Mary Boland vehicles of the 1930s, Ruggles plays a
mild mannered husband prone to sleepwalking. His nocturnal prowlings
cause no end of embarrassment for his wife (Mary Boland), especially
since Ruggles is a more aggressive personality when asleep.
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Grant's dreams of connubial bliss are shattered when he's forced to trail along while Landi tours the world with a huge entourage; he's also not happy with his wife's frequent temperamental outbursts.
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A nightclub entertainer (Chevalier), is hired to pose as his look-alike (also Chevalier), a prominent aviation tycoon. The masquerade causes consternation for the entertainer's girlfriend, who of course has no idea what's going on, and for the tycoon's wife, who can't understand why her cold-fish husband has suddenly become so warm and demonstrative.
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Robert Youngson once again compiles scenes from the golden age of comedy's silent film era.
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From Hell to Heaven (1933)
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Gentlemen of the Press (1931)
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George White's 1935 Scandals (1935)
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Gilded Lily, The (1935)
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The world of horse racing provides the backdrop for this episodic drama. Much of the story is set at the Luray Springs Hotel where the characters wait for the running of the Capitol Handicap. The main story focuses upon Colly Tannyer, a pretty young handicapper who must wrangle up $10,000 so she can bet on a special horse. He former lover, Cuff Billings, helps her out under the condition that if the horse loses, she must make love to him. She agrees, and unfortunately, her steed places third. Fortunately, Cuff is more honorable than she though and he ends up romancing her.
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Broadway producer George White, who was the title character of 1934's George White's Scandals, heads for Florida following his latest hit.
He makes it to Georgia where he sees an advertisement for a show called White's Scandals.
Suspicious, he attends and learns that it is a hodge-podge variety show
put on by another fellow named White.
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While Peter is crazy about Marilyn, she has her eye on Charles Gray (Ray Milland), a wealthy Englishman. Charles is the son of Lloyd Granville (C. Aubrey Smith), a titled British nobleman, which means Charles is rich, good looking, and minor royalty, tipping the scales in his favor. Charles proposes marriage to Marilyn, but after a sudden argument, she turns him down.
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Girl O' My Dreams (1935) + Melody Lingers On (1935)
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Girl Without a Room (1933)
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Glamour Boy (1940) + Let's Fall in Love (1934)
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Happy Time (1952)
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Girl O' My Dreams
Long before its "Teen Agers" series of the 1940s, Monogram Pictures went to college in the musical Girl of My Dreams. Heading the somewhat over-aged student body are BMOC Larry Haynes (Edward Nugent) and track-star Don Cooper (a handsome young Lon Chaney Jr., here still billed as Creighton Chaney).
The Melody Lingers On
American opera baritone George Houston, who later gained a measure of fame as a western hero, made his film debut in The Melody Lingers On. Houston plays Salvini, a dashing Italian army captain who enjoys a brief romantic fling with concert pianist Ann Prescott (Josephine Hutchinson).
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In this comedy, a Tennessee lad, enrolled in art school wins a scholarship to paint in Paris. He is thrilled until he arrives and discovers that his style is hopelessly passe and is considered trashy.
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Glamour Boy: Former child star Jackie Cooper headlines this sentimental behind-the-scenes comedy drama. He plays an ex-child star who now jerks sodas for a living in Hollywood.
Let's Fall in Love: A genial lampoon of the Greta Garbo craze, Let's Fall in Love stars Ann
Sothern as Jean, a Brooklyn-born aspiring actress. It so happens that
Ken (Edmund Lowe), an ambitious movie director, is searching for a
Swedish actress to replace his temperamental star Forsell (Tala
Birrell).
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Set in Quebec during the early part of the 20th century, the film concentrates on the activities of a large French-Canadian family headed by Charles Boyer. Most of the humor arises from "coming of age" complications and sexual awakenings, especially when worldly prodigal son Louis Jourdan returns to the fold and exercises his influence on impressionable young Bobby Driscoll.
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Heads Up (1930) + Pointed Heels (1930)
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Hell-Ship Morgan (1936)
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Her Master's Voice (1936)
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Here Comes The Groom (1934)
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Heads Up: In this action-musical, a Coast Guard ensign must investigate a yacht
suspected of smuggling alcohol. While aboard, he falls for a lovely
young woman. The woman disobeys her mother and begins seeing the ensign
who soon discovers that the brains behind the operation is the man the
woman's mother wanted her to marry.
Pointed Heels:
William
Powell was still in his tux-and-top-hat period when he starred in
Pointed Heels. The scene is Broadway, where millionaire Robert
Courtland (Powell) promises to back a new musical production on the
proviso that bit player Lora Nixon (Fay Wray)
be given a major role.
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Hell-Ship Morgan (George Bancroft) is the brawny skipper of a small fishing
schooner. Supplying fish for a San Francisco cannery, Morgan works hard
and relaxes even harder, boasting not one but several girls in every
port.
Our hero's roving days come to an end when he marries Mary (Ann
Sothern), who agrees to a honeymoon on Morgan's schooner. Once on
the high seas, Mary can't help but fall in love with Morgan's first mate
Jim (Victor Jory), but before Morgan can take
retaliatory action, the tiny vessel is hit by a hurricane.
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Besieged by his adoring
female fans, Ned Farrar, "The Fireside Troubadour" hides out at the home of his wife Queena's (Peggy Conklin) imperious Aunt Min (Laura Hope Crews).
He pretends to be Aunt Min's
handyman, performing his tasks so well that the old lady refuses to let
him leave! This in itself is amusing enough, but the producers felt that
a few low laughs were needed, thus the film ends in a slapstick car
chase.
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1934's Here Comes the Groom stars Jack
Haley as an unobtrusive little guy who wants to succeed as a
criminal. In order to win the heart of hard-boiled Isabel Jewell,
Haley must prove he has what it takes to
become a gangster. Enter Patricia Ellis, on the rebound from being jilted by a radio
crooner.
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Hole in the Wall (1929)
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Hot Saturday (1932)
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Hotel Haywire (1937)
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Huckleberry Finn (1931)
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In this romantic comedy, a socialite has an argument with her sweetie and decides to exact revenge. Randolph Scott, Cary Grant, and Nancy Carroll star.
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A dentist named Parkhouse (Lynne Overman)
plays a practical joke on a poker-playing buddy by sending him home
with a lady's chemise stuffed in his coat pocket. The gag backfires,
whereupon Parkhouse finds himself in hot water with his own wife (Spring Byington).
Threatened with divorce, Parkhouse is advised by a zany astrologer to
frame Mrs. P. in a compromising situation at the Hotel Haywire,
enlisting amateur detectives Bert and Genevieve Sterns (Benny Baker and
Colette Lyons) in his scheme.
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Based on the novel by Mark Twain, Huckleberry Finn stars Junior Durkin in the title role, Jackie Coogan as Tom Sawyer, Mitzi Green as Becky Thatcher and Clarence Muse as Jim the slave.
The basic storyline begins when Huck's no-good Pap (Warner Richmond) kidnaps the boy from his guardian, the Widow Douglas.
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Hypnotized (1932)
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It Can't Last Forever (1937) + Navy Wife (1936)
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It Happens Every Spring (1949)
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It's All Yours (1937)
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A circus worker wins a sweepstakes prize of $150,000 and must travel to
England to present his ticket and collect his winnings. He books
passage on a transatlantic liner, but on board is a shady hypnotist who
hears about the man's good fortune.
He manages to get a chance to
hypnotize the winner and then takes his ticket, after which he
disappears. When the man wakes up and realizes his ticket has been
stolen, he sets out to find the phony "professor" and reclaim his
ticket.
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It Can't last Forever: Theatrical agents Russ Matthews (Ralph Bellamy) and Al Tinker (Robert Armstrong) try to make a quick buck by promoting bibuolous vaudeville fortune-teller Dr. Fothergill (Raymond Walburn)
as a genuine prophet.
Navy Wife: A Kathleen Norris
novel was the source for this romantic drama, which begins when widowed
navy doctor Quentin Harden (Ralph Bellamy) falls in love with nurse Vicki Blake (Claire Trevor).
Despite her awareness that most naval marriages end in divorce, Vicki
says "yes" when Harden proposes.
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Professor Simpson was a chemistry professor at a Midwestern college. He was in love with the Dean's daughter, Deborah Greenleaf and hoped that someday they would be married. College professor's salaries being what they were in the late forties, his only hope of being able to financially support Miss Greenleaf depended on an experiment he had devised that would someday change the world.
Like all normal American men of his day, Vernon was also known to get caught up in the Rite of Spring better described as the opening of the baseball season. One day while in his lab working intently on his experiment....
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Jimmy Barnes (Francis Lederer) arrives from Europe to be educated by his multi-millionaire uncle, Edward J. Barnes (J.C. Nugent) and in five years the extravagant escapades of Jimmy, now a lawyer, are the talk of San Francisco.
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Jazz Age (1956)
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Jimmy And Sally (1933)
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Just My Luck (1933)
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Ladies Love Danger (1935)
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Spanning the period from the 1919 Treaty of Versailles to the 1929 stock
market crash, the special utilizes documentary footage and clips from
dramatic films to recreate the era of "wonderful nonsense."
The viewer
is offered a kaleidoscope of landmark events, fads, foibles, and
celebrities: the passage of the 18th Amendment, which led to
Prohibition, speakeasies, and the rise of the gangster culture; the hero
worship bestowed upon baseball legend Babe
Ruth and "lone eagle" aviator Charles Lindbergh; public "crazes" like
mahjongg and the Charleston; the "return to Normalcy" expounded by
President Warren Harding and the "Business of America is Business"
philosophy of his successor Calvin Coolidge; and on less frivolous note,
the ascendance of the Ku Klux Klan and the disastrous aftereffects of
the Florida Land Boom.
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Jimmy is a wiseguy press agent whose efforts to promote a meat-packing
firm come to naught. Our hero is fired from his job, whereupon his
sweetheart Sally steps in, immediately succeeding where Jimmy had
failed.
Meanwhile, Jimmy gets entangled with cabaret singer Pola Wenski
(Lya Lys),
which puts quite a strain on his relationship with Sally.
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In this drama a shy music teacher attempts to become more outgoing by
taking a "How to Succeed" course.
Later his girlfriend's father puts him
in charge of his hotel. Trouble ensues when the establishment's books
do not add up and the quiet fellow is accused of embezzling. The shy guy
proves his innocence when he catches his accountant doing the dirty
deed himself.
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Hoping to finish his latest play in peace, writer Ricardo Souchet (Gilbert Roland) loses his train of thought when dizzy blonde reporter Rita (Mona Barrie)
invades his apartment.
Before long, Rita has gotten Ricardo involved in
a series of murders amongst the theater folk. When the police prove
ineffective, our hero is obliged to turn detective himself.
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Ladies Should Listen (1934)
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Lady Be Careful (1936)
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Lady Lies (1929)
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Love And Hisses (1937)
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In this romantic comedy, a Parisian businessman heads for South American for a busman's holiday. There he hopes to have some fun and negotiate a deal concerning the mining of valuable nitrate deposits. Naturally, he carries the necessary contract with him. Knowing this, two con-artists conspire to steal it from him. The unwitting businessman is also pursued by a man-hungry spinster and a love-struck, nosy switchboard operator who taps his phone and ultimately saves his bacon.
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An amorous sailor named Dynamite (Lew
Ayres) bets his pals that he can "thaw" icy beauty-contest winner
Billie (Mary Carlisle).
What follows is a series of
misunderstandings, arguments and reconciliations, all wrapped up in a
happy-ever-after conclusion.
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When blue-blooded widower Robert Rossiter (Walter Huston) announces his
plans to marry salesgirl Joyce Roamer (Claudette Colbert), his family
goes out of their way to stop the engagement.
Despite their original suspicion that Joyce (Colbert) was only involved
with their father for his money, however, the upper crust family
eventually welcomes her as one of their own.
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Before sitting down to watch Love and Hisses, it's important to know that columnist Walter Winchell and bandleader Ben Bernie were engaged in a phony but highly publicized feud in the late 1930s. For the purposes of this film, the source of the Winchell-Bernie contretemps is pretty nightclub singer Simone Simon.
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Madame Butterfly (1932)
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Merrily We Live (1938)
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Mickey (1948)
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Midnight Club (1933) + Yours For The Asking (1936)
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American actress Sylvia Sidney plays Japanese maiden Cio-Cio San, while Cary Grant is the dashing American navy lieutenant Pinkerton.
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Billie Burke netted a Best Supporting Actress Oscar nomination for her batty portrayal of the family matron. Constance Bennett is a delight as the zany daughter and Clarence Kolb is incredibly acrobatic for his age as the put upon husband and father of the group.
And Brian Aherne should have netted an Oscar nomination for his breezy and inventive comedy performance - a gem. The film netted five Oscar nomination in total: Supporting Actress, Sound, Song, Art Direction and Cinematography. This is a delight from start to finish!
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Not a remake of the 1917 Mabel Normand vehicle of the same name, Mickey was based on Clementine, a novel by Peggy Goodin. The tomboyish title character is played by redheaded Lois Butler, whom Eagle-Lion Studios was trying to build into a major name. During her awkward transition to womanhood, Mickey Kelly takes time out to find an eligible wife for her widowed father George (Bill Goodwyn). Of the two likeliest candidates, bitchy Lydia Matthews (Rose Hobart) seems to have the inside track, but Mickey vastly prefers down-to-earth Louise Williams (Irene Hervey). The best performance is delivered by Skippy Homeier as Hank Evans, the boy who awakens Mickey's own amorous yearnings.
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Midnight Club: Everybody in
The Midnight Club is seeing double, and it's all the handiwork of slick
London criminal mastermind Colin Grant (Clive Brook). Anyone who wants
to commit a crime and get away with it had better get in touch with
Grant, who obligingly provides exact doubles of the criminals so as to
establish an alibi.
Yours For The Asking: In this crime comedy, a street-savvy gangster involves himself with a
Miami socialite. Together, they conspire to turn her familial mansion
into a secret gambling casino. The hood is convinced her beauty will
draw customers and with the ensuing profits, the two will be able to
pay their debts.
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Mind Your Own Business (1936)
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Miss Fane's Baby is Stolen (1934)
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Miss Susie Slagles (1945)
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Moon's Our Home (1936)
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In this drama, a Boy Scout leader hosts a local gossip show. Trouble ensues when he predicts a politician's murder just before it occurs. He is arrested by the DA, but before getting to jail, he is abducted by irate gangsters--the real killers. Fortunately, his loyal Scout troop rallies to his rescue.
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Based on the recent Lindbergh kidnapping, Miss Fane's Baby is Stolen features German actress Dorothea Wieck, who achieved international fame in Maedchen in Uniform.
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The provocatively titled Miss Susie Slagle's is actually a leisurely, sentimental story set in a turn-of-the-century boarding house. The title character, played by Lillian Gish, is the house's landlady, catering exclusively to young doctors and nurses in training.
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Henry Fonda and Margaret Sullavan
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More Than A Secretary (1936)
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My American Wife (1936)
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My Marriage (1936) + Wild Gold (1934)
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Newly Rich (1931)
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Secretary Carol Baldwin (Jean Arthur) is in love with her boss, health-magazine publisher Fred Gilbert (George Brent). So what else is new?
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The story opens in Smelter City, Arizona, where the richest man in town is grizzled old Indian fighter Lafe Cantillon (Fred Stone). Lafe's social-climbing sister-in-law (Billie Burke) insists that her daughter Mary wed a titled European, Count Ferdinand (Francis Lederer).
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My Marriage: In this crime
drama, a girl whose father was murdered by gangsters wants to marry
into a rich family. Her fiance's mother hates the idea, but consents to
the marriage so that she can break it up later. However, she changes
her mind about the whole thing when it is revealed that her other son
was involved with the murder.
Wild Gold: This off-beat romantic melodrama contains elements of comedy not
usually found in the genre as it tells the story of the love between a
show girl fleeing from her husband, a grifter. She heads to a mining
company and ends up involved with a dam engineer. When a dam
accidentally breaks, the engineer's wife is conveniently swept away.
Happiness ensues. The flood footage was lifted from The Johnstown Flood (1926).
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Mitzi Green Fights Like a Boy! Director Norman Taurog was developing quite a specialty directing kids during the early talkie era, and lucky for us he kept coming back to it. NEWLY RICH (aka FORBIDDEN ADVENTURE, based on Sinclair Lewis' LET'S PLAY KING) is one of the more obscure examples, and deserves our attention.
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Notorious Sophie Lang (1934)
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One Hour Late (1935)
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One Night of Love (1934)
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Paris in Spring (1935)
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Joe Morrison is cast as shipping clerk Eddie Blake, whose girlfriend Betty Dunn (Helen Twelvetrees) is secretary to big boss Stephen Barclay (Conrad Nagel).
A trusting soul, Betty sees nothing wrong in accepting Barclay's invitation to visit his home for the weekend. But Eddie suspects the worst and tags along to make sure that Betty's virtue remains intact.
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After several false starts, opera star Grace Moore became a motion picture success in the sublimely assembled One Night of Love.
Moore
opens the film by losing a radio talent contest in New York. She
disconsolately heads to Europe, where the best job she can come up with
is singing in a restaurant. Here she is discovered by brilliant
voice-teacher Tulio Carminatti, who carefully nurtures Moore
until she becomes the toast of the European opera world.
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Mary Ellis plays Simone, who breaks up her long-standing engagement with Paul de Lille (Carminati) because she balks at the notion of marriage. Simultaneously, young lovers Mignon (Ida Lupino) and Albert (James Blakely) split up for the same reason.
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Phantom President (1932)
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Probation (1932) + Thrill Of A Lifetime (1937)
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Rain Or Shine (1930)
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Return of Sophie Lang (1936)
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Legendary songwriter and vaudevillian George M. Cohan made his first appearance in a sound film with this satiric musical comedy. Theodore Blair (Cohan) is a politician running for president; while he has talent and intelligence, he's unfortunately as exciting as warm milk, and he is not doing well on the campaign trail.
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Probation:
Sally Blane (Loretta Young's look-alike sister) plays Janet, a
Manhattan socialite who is fed up with the superficiality of her
friends. Sensing that Janet is bored with life in general, her Uncle
George (J. Farrell McDonald), who happens to be a judge, decides to
show the girl how well off she really is.
Thrill of a Lifetime: "Camp Romance," a place for the romantically challenged, provides the
setting of this musical. The story centers on a frumpy secretary's
crush on her handsome boss, the camp manager. The
manager has been working on a musical. Just as he is about to finish
it, the secretary gives herself a makeover, turns into a drop- dead
knockout, and romantic bliss ensues.
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Director Frank Capra brought legendary Broadway comedian Joe Cook's 1928 stage musical Rain or Shine to the screen in 1930, cutting all of its songs and concentrating almost exclusively on the star.
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Revielle with Beverly (1943)
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Romance In The Dark (1938)
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Rose Bowl (1936)
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Safety In Numbers (1930)
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Beverly Ross moderates an 5:30 am radio show with swing music, dedicated to the local servicemen. Two buddies of her brother have a chance to meet her and both fall in love.
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Gladys Swarthout, formerly of
the Met, stars as Ilona Boros, a peasant girl with a magnificent voice
who becomes a pawn in the rivalry between opera tenor Tony Kovach (John Boles) and his business manager Zoltan Jason (John Barrymore).
Both men are infatuated with
the beautiful, but cold, Countess Foldessy (Claire Dodd), and Tony plans to make Ilona a star so
that Jason will be attracted to her instead. The scheme backfires, of
course, and soon both men are fighting over Ilona, the outraged countess
left to instead pursue Jason's butler, Von Hemisch (Curt Bois).
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Longtime chums Paddy O'Reilly (Tom Brown) and Dutch Schultz (Benny Baker) may be heroes of the high-school gridiron, but they're persona non grata with the girls, thanks to campus lothario Ossie Merrill (Larry "Buster" Crabbe).
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In this light musical comedy, an aspiring songwriter tries to
make it big on Broadway. Later his uncle decides to show him all about
the world and so hires three gorgeous show girls to take him around the
Big Apple.
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