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A Lady's Profession (1933) Accomplice (1946) Advice to the Lovelorn (1933) + You Belong To Me (1934) Affairs of a Gentleman (1934)
A Lady's Profession (1933)
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Accomplice (1946)
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Advice to the Lovelorn (1933) + You Belong To Me (1934)
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Affairs of a Gentleman (1934)
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A couple of down-and-out British aristocrats buy an American roadhouse in this uproarious farce. Naming the establishment after their estate in the old country, Twicket-on-Topping, Lady Beulah (Alison Skipworth) and her brother Sir Reginald (Roland Young) run afoul of American gangsters. Private detective Simon Lash (Arlen) is contacted by Joyce, an ex-girlfriend who jilted him at the altar. Joyce is played by Veda Ann Borg, who always looked trashy. Joyce's husband Jim has been suffering from bouts of amnesia, and now he's gone missing altogether.

Jim was a bank executive, and private-eye Lash is a cynical sleuth, so he naturally assumes that Jim's 'amnesia' was a pretext for embezzling bank funds. But then Lash investigates, and no funds are missing. Then, of course, he investigates a little more, and...
Advice to the Lovelorn (1933 - 60 min): Based on Nathaniel West's Miss Lonelyhearts, Advice to the Lovelorn is a comedy-drama about a hotshot reporter (Lee Tracy) who is forced to become an advice columnist.
Hiding behind a female nom de plume, the cynical Tracy dispenses fatuous advice and becomes quite popular.

You Belong to Me (1934 - 67 min): You Belong to Me is a showcase for juvenile performer David Jack Holt, youngest son of action star Jack Holt. The boy is cast as Jimmy Faxon, the son of recently widowed vaudeville performer Florette Faxon (Helen Mack).
The mysterious death of a notoriously candid author provides the basis of this mystery.

Investigators do not believe the suicide note found with his corpse. It seems the author had written a scandalous autobiography detailing his many affairs, with no regard to the feelings of the women involved.
Air Eagles (1931) All the King's Horses (1935) Amazing Mr. X (1948) Animal World, The (1956)
Air Eagles (1931)
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All the King's Horses (1935)
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Amazing Mr. X (1948)
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Animal World, The (1956)
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World War I flying aces, American Bill (Lloyd Hughes) and German Otto (Norman Kerry), now perform for a carnival, and both are attracted to Eve, who's really in love with Otto. When they get to Bill's hometown, Eddie (Matty Kemp), Bill's younger brother who is training to be a pilot, meets Eve, and he, too, is drawn to her.
King Rudolf XIV of Langenstein, is too busy to make love to his wife, Queen Elaine of Langenstein, and good Queen Elaine is upset royally about it. Also known as The Amazing Mr. X, The Spiritualist stars Turhan Bey as the title character, a mysterious mystic named Alexis. Making a comfortable living by fleecing the gullible wealthy, Alexis' latest target is grieving young widow Christine Faber (Lynn Bari).

Hoping to communicate with her husband, who supposedly died in a car crash two years earlier, Christine submits to Alexis' crystal-ball act. Our hero finds out more than he bargained for when the "deceased" Mr. Faber (Donald Curtis) turns up very much alive as the central figure in an elaborate fraud scheme.
The film begins with a thumbnail history of life on earth, then shows the audience how ancient habits and instincts die hard.

Willis O'Brien and Ray Harryhausen, the team responsible for the stop-motion animation in 1949's Mighty Joe Young, lavish their expertise on the film's opening dinosaur-battle sequence.
Anything Goes Argyle Secrets, The (1948) Arizona to Broadway (1933) Badge Of Honor (1934) + Oil Raider (1934)
Anything Goes (1936)
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Argyle Secrets, The (1948)
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Arizona to Broadway (1933)
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Badge Of Honor (1934) + Oil Raider (1934)
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Anything Goes is a fun-filled but hardly faithful adaptation of the same-named Cole Porter Broadway musical, with additional songs by Hoagy Carmichael, among many many others. "The Argyle Secrets" is a poverty-row noir made in 1948 for Eronel Productions that follows newsman Harry Mitchell (William Gargan), hot on the trail of the mysterious Argyle album.

The album is a package of incriminating evidence of wartime collaboration and betrayal that results early on in the death of an older, famous reporter whose fragmentary whispers and one photo-stat of the cover of the album lead Mitchell on what first seems to be a wild goose chase in search of an item that may or may not even really exist.
While traveling through Arizona, carnival huckster Smiley Wells (James Dunn) makes the acquaintance of sweet small-town girl Lynn Martin (Joan Bennett). Upon learning that a gang of slick operators has swindled a huge sum of money from Lynn's mother, Smiley decides that money lost through larceny can be won back the same way.
BADGE OF HONOR
Crabbe is cast as Bob Gordon, a spoiled society boy who finds himself in a small town, rife with political corruption.
Hoping to bring the crooks to justice, Bob poses as a hotshot reporter, getting away with all sorts of outrages by explaining "Well, a newspaperman can do a little bit of everything."

THE OIL RAIDER
This robust action-melodrama stars Larry "Buster" Crabbe as an oil prospector whose financial backer turns crooked when he suddenly finds himself faced with bankruptcy. Learning that Dave Warren (Crabbe) has been forced to fire a troublesome worker, Simmons (Max Wagner), the backer, J.T. Varley (George Irving), convinces the man to sabotage Dave's truck.


Be Yourself (1930) A Bedtime Story Behind The Makeup (1930) Behold My Wife (1935)
Be Yourself (1930)
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Bedtime Story (1933) + Playboy Of Paris (1930)
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Behind The Makeup (1930)
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Behold My Wife (1935)
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The Rose of Washington Square is cast as Fanny Field, the long-suffering girlfriend of no-account, gin-swilling prizefighter Jerry Moore (Robert Armstrong). After sacrificing everything to advance Jerry's career, Fanny is "repaid" when Jerry dumps her in favor of femme fatale Lillian (Gertrude Astor). A Bedtime Story: This musical comedy stars Maurice Chevalier as (what else?) a Parisian playboy with a song and a kiss for every beautiful woman in sight. His libertine ways are stemmed when Chevalier finds himself saddled with an abandoned baby.

Playboy Of Paris: In this sparkling musical comedy, a bungling waiter (Maurice Chevalier) loses his job at a tony restaurant. His employment prospects look grim until the opportunistic restaurateur learns that his ex-employee is slated to receive a vast inheritance.
In this complicated drama, the jolly painted face of a circus clown is but a mask for an avaricious, ruthlessly ambitious, and deceitful man.

Hap is performing in small New Orleans clubs when he saves the life of the starving Gardino, a member of a distinguished family of European clowns.
After Michael Carter's fiancée commits suicide, Michael vows to seek revenge on his wealthy family, who sabotaged their marriage. He drives across the country angrily, and lands up at a saloon, where he is shot by an Indian, Pete.
Big Broadcast of 1937 (1936) Big Cage (1933) The Big Pond (1930) Bird of Paradise (1932)
Big Broadcast of 1937 (1936)
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Big Cage (1933)
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Big Pond (1930)
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Bird of Paradise (1932)
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THE BIG BROADCAST OF 1937 (1936), directed by Mitchell
Leisen, is the third installment of the "Big Broadcast" musicals, and
possibly the best and funniest of the series. The film series follows the pattern
of the first two titles: negligible plot with plenty of memorable music
and guest stars. Jack Carson (Jack
Benny
) owns the radio station this time out; he doesn't get along
with the sponsors, and many are threatening to pull their advertising
off the air.
Renowned animal-trainer Clyde Beatty plays himself as a circus owner in this adventure that centers on an enthusiastic youth who idolizes Beatty. The story's highlight is a fight with the lions and tigers. Pierre is a Venetian tour guide, who falls in love with wealthy American tourist Barbara. Her male relatives think that Pierre is merely a fortune-hunter, but Barbara's mom persuades her husband to give Pierre a job in his chewing-gum factory.

The men folk finally approve of Barbara's choice when Pierre comes up with the brilliant, money-making idea of coating the gum with liquor!
Joel McCrea stars as a handsome South Seas soldier of fortune who falls in love with Dolores Del Rio, the daughter of a Polynesian native chieftain. Alas, their idyllic romance is destined to come to a sudden and violent end: tribal custom decrees that Del Rio is to be sacrificed to the local volcano.

After initial resistance, the heroine nobly resigns herself to her fate, realizing that there is no place for her in her white lover's civilization.
The Black Camel Blind Date (1934) Blood Money Bolero (1934) + Rumba (1935)
Black Camel (1931)
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Blind Date (1934) + Grand Exit (1935)
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Blood Money (1933) + Pleasure Cruise (1933)
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Bolero (1934) + Rumba (1935)
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Actress Shelah Fane (Dorothy Revier) is in Honolulu to shoot a movie, but her chaotic personal life is keeping her from concentrating on work. BLIND DATE (1934)
After being stood up on her birthday, Kitty goes on a double-date/blind date, where she meets department store heir Bob Hartwell (Hamilton). She falls in love, but leaves him when his protestations of love appear to cover a desire for her to be his mistress, rather than his wife.

GRAND EXIT (1935)
ANN SOTHERN and EDMUND LOWE are teamed again, and this time it's a suspenseful little drams about tracking down an arsonist. It's a clever story with some brisk dialog that keeps things going merrily along while the chase for the arsonist consumes most of the plot.
Blood Money (1933 - 66 min)
George Bancroft's tough bailbondsman has no qualms cheating little old ladies out of their life savings in Blood Money, a surprisingly violent pre-code gangster thriller. "I make all my money from losers," Bancroft snarls at one point.

Pleasure Cruise (1933 - 72 min)
Genevieve Tobin plays the bored wife of novelist Roland Young, who, after an argument with her spouse, decides to leave for a while and sets out on a pleasure cruise, hoping for a romance.
BOLERO: Bolero stars George Raft as Raoul de Barre, an arrogant dancer who rises to fame in the years prior to, during, and after WW I. Raoul is helped along the way by his promoter brother Mike (William Frawley) and scores of willing females, matriculating from two-bit gigolo to the greatest ballroom dancer in Paris.

Rumba: A follow-up to the highly successful Bolero, this lively romantic drama stars George Raft as Joe Martin, a Cuban-American dancer who lives and works in Havana with his lovely partner Goldie Allen until a bad case of varicose veins forces impacts his career.

Born Reckless (1937) + Midnight Taxi (1937) Breezing Home (1937) Bride Comes Home (1936) Broadway Bad (1934) + Hello, Sister (1933)
Born Reckless (1937) + Midnight Taxi (1937)
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Breezing Home (1937)
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Bride Comes Home (1936)
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Broadway Bad (1934) + Hello, Sister (1933)
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Born Reckless: Racketeer Jim Barnes is trying to force the independent taxicab-drivers to join his 'protection service" at the cost of five bucks a day. Champion race-car driver, Bob Kane, joins with his friends Lee and "Dad" Martin in a fight for the street rights of a big city.

Midnight Taxi: Donlevy is cast as Chick Gardner, a federal agent who poses as a New York cab driver. His plan is to use his cover to expose a gang of counterfeiters, who've been using taxis as their means of distribution.
Framed by the fast-paced world of horse racing, this romance centers upon the wealthy young owner of a racing stable who falls in love with a beautiful singer who has just been given Galaxy, a promising young horse, by one of her beaus.

Galaxy is accompanied by a trainer, who is also in love with the girl. Later all three get tangled up with crooked bookies and trouble follows.
Jack Bristow (Robert Young), one of the staffers, tells Cyrus about Jeanette's misfortunes, and while he's not initially swayed by this tale of woe, Cyrus buckles under and hires her, primarily because Jack has lobbied strongly for her (which might have something to do with the fact he finds her attractive). Broadway Bad: Broadway Bad stars Joan Blondell as a wisecracking but goodhearted chorus girl whose husband (Ricardo Cortez) is an abusive lout. Blondell's plight makes the headlines, which results in an upswing in her career.

Hello, Sister: Love turns into an unhealthy obsession in this offbeat drama. Millie (Zasu Pitts) and Peggy (Boots Mallory) are two friends who leave behind the small town where they were raised to try their luck in New York City.
The Broken Wing (1932) Bulldog Drummond (1929) Bulldog Jack Car 99 (1935)
Broken Wing (1932)
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Bulldog Drummond (1929)
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Bulldog Jack (1935)
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Car 99 (1935)
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Captain Innocencio (Leo Carrillo) practices "frontier justice", just one of several responsibilities he has in running the town. Whatever he says goes! But there is something more important to Captain Innocencio than the town's affairs: He is trying to win the heart of Lolita (Lupe Velez), the daughter of a wealthy rancher. Tired of his sedentary postwar existence, Col. Hugh "Bulldog" Drummond (Ronald Colman) offers his services as adventurer for hire. This gets him mixed up with lovely Joan Bennett, whose wealthy father is being held against his will in a gloomy sanitarium. British musical comedy star Jack Hulbert plays an amateur sleuth who takes over for the "real" Bulldog Drummond (Atholl Fleming), who is sidelined by an injury. In his first starring role (after being second-billed to Claudette Colbert in The Gilded Lily), Fred MacMurray plays officer Ross Martin of the Michigan State Police.

After completing his training, Martin is pitted against dignified Professor Anthony (Sir Guy Standing), who uses his academic status as a cover for his bank-robbery activities.
Caravan (1934) Carnival (1935) + Two Fisted (1935) Case Against Mrs. Ames (1936) The Cat and the Canary
Caravan (1934)
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Carnival (1935) + Two Fisted (1935)
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Case Against Mrs. Ames (1936)
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Cat and the Canary (1939)
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Charles Boyer played his first major Hollywood role (and gets to sing in the bargain!) in the oddball musical romance Caravan. Loretta Young stars as young Countess Wilms, who is forced to wed by midnight or lose her inheritance. She impulsively chooses gypsy vagabond Latzi (Boyer), offering him a huge sum of money if he'll consent.
Carnival (1935 - 77 min)
In this melodramatic comedy a carnival puppeteer must cope with the death of his wife who expired while birthing his daughter. His father-in-law, decides to sue him for custody of the little girl because he believes carnival life with a single father will be harmful to her.

Two Fisted (1935 - 60 min)  
Lee Tracy stars as fast-lipped fight manager Hay Hurley, while Roscoe Karns co-stars as slow-witted pugilist Chick Moran. Flat broke, Hay and Chick take servant jobs in the household of wealthy Sue Parker (Gail Patrick).
When wealthy Mr. Ames is murdered, his beautiful wife Hope (Madeleine Carroll) is the principal suspect. She is acquitted through lack of evidence, but it's hardly a happy ending.

Her son Bobbie (Scotty Beckett) is taken away from her by spiteful relatives, who poison the boy's mind against her. Making matters worse, assistant DA Matt Logan (George Brent) is still convinced that Hope is guilty.
Starring Bob Hope and Paulette Goddard. Ten years have passed since the death of millionaire, Cyrus Norman. Cosby, Cyrus' attorney, has gathered Cyrus' 6 remaining relatives to his New Orleans' mansion for Cyrus' "reading of the will".
Change Of Heart (1934) Charlie's Aunt (1930) Charming Sinners (1929) The Cheat
Change Of Heart (1934)
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Charlie's Aunt (1930)
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Charming Sinners (1929)
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Cheat (1931)
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Four courageous college graduates become heroes when they successfully complete a 15-hour coast-to-coast plane flight. Alas, things don't go so well for the foursome when they return to earth to seek out employment. Two Oxford undergraduates, Charley Wickeham (Hugh Williams) and Jack Chesney (Rodney McLennon), anxiously await the visit of their respective girlfriends Amy Spettigue (June Collyer) and Kitty Verdun (Flora Sheffield). Trouble is, the ladies have no chaperone, and this will never do in the hallowed halls of Oxford. Charming Sinners was an adaptation of Somerset Maugham's play The Constant Wife. Robert Miles (Clive Brook) starts the ball rolling when he falls in love with Anne-Marie Whitley (Mary Nolan), the best friend of his own wife Kathryn (Ruth Chatterton). NOW AVAILABLE
City Girl City Streets (1931) + The Glass Key (1935) College Humor College Rhythm
City Girl (1930)
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City Streets (1931) + The Glass Key (1935)
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College Humor (1933)
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College Rhythm (1934)
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Director F.W. Murnau began City Girl as a silent film, hoping to match the artistic triumph of his earlier Sunrise. Murnau was frustrated by two elements: Fox's decision to hastily convert the film into a talkie, and his inability to secure the services of Sunrise star Janet Gaynor. This version is the silent film.
City Streets:
Straight-arrow movie hero Gary Cooper is cast as a racketeer known only as The Kid. He has chosen a life of crime out of love for Nan (Sylvia Sidney), the daughter of mob henchman Pop Cooley (Guy Kibbee).

The Glass Key: George Raft plays Ed Beaumont, the right-hand man to genial ward heeler Paul Madvig (Edward Arnold), who wants to clean up his political act. On the eve of a major election, Madvig is implicated in a murder, and it's up to Beaumont to help him out.
Directed by Wesley Ruggles, the musical sendup of College Humor centers around the blooming love between a college professor (Bing Crosby) and one of his students (Mary Carlisle). Jack Oakie plays Finnegan, a conceited gridiron hero whose prowess on the football field is exceeded only by his appreciation of the ladies. But his strutting manner and accompanying overbearing ego have alienated his one-time best friend Larry Stacey (Lanny Ross), a serious, more scholarly type who deeply resents the adulation heaped on Finnegan.
College Scandal (1935) Condemned (1929) Confessions of a Co-Ed (1931) Connecticut Yankee (1931)
College Scandal (1935)
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Condemned (1929)
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Confessions of a Co-Ed (1931)
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Connecticut Yankee (1931)
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Never mind the title and the musical content: College Scandal is at heart a murder mystery, and a pretty suspenseful one at that. Several mysterious killings have taken place at a co-ed college, and it looks as though there won't be anyone left alive to appear in the annual campus musical. Colman is unjustly sentenced for a crime he does not commit and is sent to a tropical penal colony. Ann Harding is the unhappy wife of the Warden. You can guess the rest. These two expert actors do a wonderful job. Colman was nominated for an Oscar for this performance and deserved it. The cinematography is also quite stunning.
Rakish college student Hal (Norman Foster) is in love with sorority girl Peggy (Claudia Dell), but she only has eyes for Hal's roommate Dan (Philips Holmes).

Hoping to get Dan out of the way, Hal enlists the aid of campus vamp Patricia (Sylvia Sidney). She manipulates Dan into a hot necking session, resulting in an unscheduled pregnancy. Dan is tossed off the campus, whereupon Peggy pulls off a few dirty tricks of her own, culminating in a shotgun wedding between Hal and Patricia.
This Mark Twain adaptation affords a rare opportunity to enjoy a "collaboration" between two of America's greatest humorists. Will Rogers plays the operator of a tiny radio repair shop, who is called to an old mansion to replace a battery on a dark and stormy night.
The Conquering Horde (1931) Convicted (1931) + Iron Master (1933) Coronado Craig's Wife (1936)
Conquering Horde (1931)
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Convicted (1931) + Iron Master (1933)
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Coronado (1935)
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Craig's Wife (1936)
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Dan McMasters (Richard Arlen), a Yankee war hero, is sent from Washington to help set up a safe and efficient passageway for the cattle drovers -- thereby earning himself the enmity of the local land barons who've been charging the cattlemen exorbitant fees to trek across their land. Convicted: Aileen Pringle plays Clair Norville, an actress, who is taking a cruise. She is being harassed by another passenger, Tony Blair, (Richard Tucker), a producer of her last show. He has embezzled funds and is traveling with Constance (Dorothy Christy, the most natural actor in the movie) another actress, who wants her cut. 

Iron Master: In this drama, a bright young mill worker is left in charge of his late employer's estate. This causes many hard feelings from the surviving family. He forces the boss's son and daughter to work in the factory. They do not want to. For revenge they begin divulging trade secrets to a competitor. They only stop after the daughter falls in love.
Former child actor Johnny Downs acts his first adult lead in this nonsensical but charming little musical which benefits greatly from the appearance of Eddy Duchin and his band.

To keep troublesome socialite Johnny Marvin (Downs) out of mischief, Coronado Hotel manager Carlton (Jameson Thomas) persuades Duchin to hire the lad as a band member.

Directed by Dorothy Arzner. After several light comedy roles, Rosalind Russell proved her salt as a dramatic film actress in this 1936 adaptation of George Kelly's Pulitzer Prize-winning play Craig's Wife. Russell plays Harriet Craig, whose obsession with keeping her house and its furnishings spotless has driven away most of her friends.

 Harriet's husband Walter (John Boles) loves her and will not brook any criticism of her fastidiousness. But even he has a breaking point: this comes when, during a moment of dire crisis, she reveals that she is more concerned with her own well-being than her husband's.
Crime Of Helen Stanley (1934) Crime Of The Century (1933) Crime Without Passion (1934) Crosby Case (1934)
Crime Of Helen Stanley (1934)
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Crime Of The Century (1933)
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Crime Without Passion (1934)
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Crosby Case (1934)
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This third entry in the "Inspector Trent" series is cleverly
(and economically) set in a movie studio. A malevolent leading lady (Gail Patrick) is murdered while filming a scene, whereupon the nervous studio head calls in Inspector Trent (Ralph Bellamy).
This unique thriller chronicles the exploits of a doctor who will do almost anything to please his young, second wife.

She wants more money. He arranges to get it by hypnotizing a bank official and making him extract $100,000 from the vault. The doctor then plans to murder him and then rob him.
Crime Without Passion is an odd, almost existential murder yarn. Famed attorney Claude Rains, incensed that his mistress (Margo) has been seeing other men, kills the girl--or at least thinks he does.

Rains believes he is "above" such irritations as conscience and morality, and calmly arranges to cover his crime, using his knowledge of the law to escape detection.
While the opening credits are
rolling, the audience is introduced to the five main suspects in the
murder of a certain Mr. Crosby. Police inspector Thomas (Alan Dinehart) believes that Lynn Ashton (Wynne Gibson), an ex-lover of the victim, is the most likely
suspect, though the audience is encouraged not to discount the elderly,
seemingly frail Lubeck (Edward Van Sloan), oafish thief Collins (Warren Hymer), heavily-in-debt gambler Willie (John
Wray
), or even avuncular nightclub doorman Costello (J. Farrell McDonald).
Cross Examination (1932) Cynara Dancers In The Dark (1932) Dancing Feet (1936) + Turn Off The Moon (1937)
Cross Examination (1932)
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Cynara (1932)
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Dancers In The Dark (1932)
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Dancing Feet (1936) + Turn Off The Moon (1937)
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Defense Atorney Gerald Waring uses great skill and ingenuity in his efforts to save the life of a boy charged with the murder of his father. Witness after witness piles up damaging evidence against the accused youth, but expert cross-examination by Waring digs out the startling truth behind the killing and subsequently reveals the identity of the real killer in a surprise-twist ending. Jim Warlock (Ronald Colman) is a successful British lawyer who has always displayed a solid and conservative nature in his business associations, his professional ethics, and his personal life. He has enjoyed a happy if unexciting marriage with his wife Clemency (Kay Francis) for seven years, but when she leaves town for several days, Jim meets Doris (Phyllis Barry), a young sales clerk. Big city dime-a-dance girl Miriam Hopkins has a chance to leave the grind behind and marry musician Wm. Collier Jr, much to the displeasure of his friend, band leader Jack Oakie. Oakie schemes to break them up but finds himself falling for Miriam along the way. Meanwhile, a gangster (sleek "black snake" George Raft) from her past comes back into her life to complicate things and all three men battle for her affections. Dancing Feet: Dancing Feet stars Joan Marsh as Judy, a society deb who lands a job as a dime-a-dance girl to spite her wealthy grandfather (Purnell Pratt). While her fiancé Peyton (Ben Lyon) stews, Judy strikes up a friendship with Jimmy (Eddie Nugent), a bellhop who aspires to become a vaudeville dancer.

Turn Off The Moon: Department store owner Elliot Dinwiddy (Charlie Ruggles) never makes a decision without first consulting his astrologer Dr. Wakefield (Andrew Tombes). Problem is, Dinwiddy's dependence upon the stars to dictate his fate has a negative trickle-down effect on his impending marriage to his secretary Myrtle Tweep (Marjorie Gateson) -- and on the romance between store employees Terry Keith (Johnny Downs) and Caroline Wilson (Eleanor Whitley).
Dangerous Curves (1929) + True To The Navy (1930) Dangerous Paradise (1930) Dangerous to Know Anna May Wong Dark Angel (1935)
Dangerous Curves (1929) + True To The Navy (1930)
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Dangerous Paradise (1930)
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Dangerous to Know (1938)
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Dark Angel (1935)
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Dangerous Curves: Circus life provides the framework of this drama that chronicles the love, life, and aspiration of a young circus waif. The aspiring star is learning to walk the high-wire with the young wire-walker she adores. He loves another, his partner, but she is untrue to him. As a result he is almost on the edge of a breakdown.

True to the Navy: Clara Bow's flat Brooklynese voice seems perfectly suited for the rowdy goings-on in True to the Navy. The "It" girl plays Ruby Nolan, owner of a drug store frequented by she-sick sailors. Each of the gobs assumes that he's the only man in Ruby's life, and when several of her boyfriends converge upon the pharmacy all at once, they tear the joint apart.

Alma (Nancy Carroll), a violinist hired to play at an island resort, is pressured to make herself available to its male visitors.

She flees and hides in a skiff belonging to the reclusive Heyst (Richard Arlen), who is said to have hidden a stash of gold.
Racketeer Steve Recka (Akim Tamiroff), art patron and political power-maker, rules his town and Madame Lan Ying (Anna May Wong), his beautiful Oriental friend and hostess (read:mistress), with an iron hand. Fredric March, Merle Oberon and Herbert Marshall star respectively as Alan Trent, Kitty Vane and Gerald Shannon, friends since childhood. Though Gerald is deeply in love with Kitty, it is Alan who wins her hand in marriage.

But before the wedding can take place, WW I intervenes, and both Alan and Gerald march off with their regiments. Blinded on the battlefield, Alan gallantly pretends to have been killed so that Kitty will not feel obligated to care for him.
Dark Journey (1937) Dark Journey (1937) Daughter of Shanghai Daughter of the Dragon Anna May Wong
Dark Journey (1937)
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Darkened Rooms (1929)
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Daughter of Shanghai (1937)
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Daughter of the Dragon (1931)
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The unorthodox teaming of Vivien Leigh and Conrad Veidt is but one of the many pleasures of the 1937 spy yarn Dark Journey.

Leigh plays a Stockholm dress-shop owner during World War I, who, being a neutral, is permitted to travel unmolested to and from France.

Veidt plays a supposedly disgraced German officer who is actually head of his country's secret service. The two fall in love, despite the fact that Leigh has a secret as well: she is a double agent, sympathetic towards the Allied cause.
Neil Hamilton is Emory Yago, the struggling proprietor of a boardwalk
photography shop. Madame Silvera, an adjacent spiritual medium, hires
Emory
to fake "spirit photos", and he becomes intrigued with the financial
possibilities of spiritualism.
In an unidentified airplane flying over the ocean in which six aliens are huddled, alien-smugglers Frank Barden (J. Carrol Naish) and Andrew Sleete (Buster Crabbe as Larry Crabbe) are trying to evade a government pursuit plane. Princess Ling Moy, a young and beautiful Chinese aristocrat lives next door, unbeknownst to her, to Dr. Fu Manchu, a brilliant but twisted genius who is out to rule the world.
Days of Thrills And Laughter (1961) Devil To Pay Devil's Holiday (1930) + Stolen Heaven (1931) Devil's in Love (1933)
Days of Thrills And Laughter (1961)
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Devil To Pay (1930)
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Devil's Holiday (1930) + Stolen Heaven (1931)
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Devil's in Love (1933)
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An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s. It starts with a 1905 look at French comedy, goes through the 1910s with Sennett, Chaplin, and Fairbanks, and into the 1920s with Max Roach, Snub Pollard, Harry Langdon, Al St. John, Charlie Chase, and the teaming of Laurel and Hardy. Ronald Colman plays the "black sheep" of a wealthy British family, sent to South Africa so that he'll be as far away from home as possible. Broke again, Colman auctions off his belongings and heads for London to the less-than-open arms of his father (Frederick Kerr). He begins to dally with a saucy actress (Myrna Loy), but soon his attentions shift to a young heiress (Loretta Young) engaged to a nobleman. The heiress manages to set Colman on the straight and narrow, so he renounces his wastrel ways and settles down--but not before breaking up the girl's upcoming wedding. Based on a play by Frederick Lonsdale, Devil to Pay is dated only in its subject matter; on a purely technical level, the film hardly betrays its age at all.
The Devil's Holiday (1930 - 80 min) Nancy Carroll brings a touch of freshness to Devil's Holiday. Ms. Carroll plays a manicurist who woos and weds wealthy Phillips Holmes. She tells herself that she harbors no mercenary notions, but when Holmes' family offers to buy her off if she'll leave, Carroll accepts the offer.

Stolen Heaven (1931 - 73 min)
Nancy Carroll plays Mary, the streetwalker sweetheart of born-loser Joe (Phillips Holmes). Engineering a $20,000 robbery, Mary and Joe draw up a pact to spend all the money foolishly and then commit suicide.

The French Foreign Legion is the setting for this episodic adventure yarn. Victor Jory plays a Legion doctor falsely accused of murdering his commander over the love of Loretta Young.

Jory escapes prosecution by heading for parts unknown, but when a deadly illness strikes his old fort, he returns to aid his comrades. He is arrested, but clears himself of the murder charge and ends up with Young.
Devil's Squadron (1936) Dirigible Disbarred (1939) Disgraced! (1933)
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Dirigible (1931)
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Disbarred (1939)
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Disgraced! (1933)
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Richard Dix plays an ex-Marine flier who has been court-martialed for cowardice and thrown out of the service. He joins a group of pilots who are hired to test a new bomber. Four pilots are killed before Dix comes in and saves the day. Navy pilots Jack Holt and Ralph Graves battle over the affections of Fay Wray. Directed by Frank Capra. Gail Patrick plays a brilliant but naive country lawyer brought to the city to defend gangster Sidney Toler.

She is subsidized by pillar of society Otto Kruger, who is actually the "big boy" behind the city's rackets.

Ms. Patrick must prove that Toler didn't own a weapon that he is accused of pointing at a terrified states' witness.
Helen Twelvetrees is cast as Gay Holliday, whose romance with Kirk Underwood Jr. (Bruce Cabot) turns sour when Kirk turns out to be a jerk.
Dishonored (1931) Divorce of Lady X Double Door (1934) Down To Earth (1932)
Dishonored (1931)
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Divorce of Lady X (1938)
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Double Door (1934)
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Down To Earth (1932)
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As "Agent X-27" our heroine proves invaluable to her superiors, seducing and betraying enemy officers with the greatest of ease. But when she falls in love with Russian spy Lt. Kranau (Victor McLaglen), she permits him to escape her clutches, and as a consequence is sentenced to be executed. Filmed in lavish Technicolor and given Tiffany production values by producer Alexander Korda, the British comedy Divorce of Lady X is at base a trivial little farce, buoyed by the sprightly performances of star Merle Oberon and Laurence Olivier.
Set in 1910 Manhattan, the film stars Mary Morris and Anne Revere, repeating their stage roles as domineering, calculating Victoria Van Brett and her weakling sister Caroline. The title refers to the door guarding the Van Brett's secret vault, wherein are stored the family jewels.

Years earlier, Victoria, the only member of the family who knows the vault's combination, locked Caroline in the dark, airless chamber, literally frightening her into madness.
This sequel to the highly successful Will Rogers vehicles They Had to See Paris and So This is London details the further adventures of the nouveau riche Peters family of Claremore, Oklahoma.

Oil millionaire Pike Peters (Will Rogers) remains his old "down to earth" self, but his family -- wife Idy (Irene Rich) and son Ross (Matty Kemp) -- insist upon taking on airs.

Idy's improvidence reaches hitherto unscaled heights when she insists upon rebuilding the family's French chateau in their hometown of Claremore.
Dude Ranch (1931) + Florida Special (1936) Duffy's Tavern Early To Bed (1936) + People Will Talk (1935) Enter Madame (1935)
Dude Ranch (1931) + Florida Special (1936)
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Duffy's Tavern (1945)
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Early To Bed (1936) + People Will Talk (1935)
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Enter Madame (1935)
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Dude Ranch: Two of Hollywood's best contract comedians made a rare joint appearance in Dude Ranch. Jack Oakie heads the cast as Jenifer, the head of a traveling troupe of repertory actors. Finding themselves on the premises of a dude ranch, Jenifer and his actors strike up a deal with ranch proprietor Chester Carr (Stuart Erwin).

Florida Special: A Florida-bound train is filled with romance and intrigue in this comedy. Among the passengers is a millionaire bon vivant carrying $1 million in diamonds. He is fully aware that a gang of would-be jewel thieves have followed him and so pretends to be an invalid with an ice bag perpetually stuck to his head.
Several of Hollywood's brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite watering hole from old time radio shows.
People Will Talk 1935 - 67 min.  People Will Talk was another one of the moneymaking comedies starring Charles Ruggles and Mary Boland. This time the middle-aged pair try to patch up the marriage of their daughter (Leila Hyams) and son-in-law Dean Jagger, with hair). They do this to quell the local gossip mongers, who have been set abuzz by the fact that daughter has come home alone.

Early to Bed   1936 - 75 min.  In one of the best Charlie Ruggles-Mary Boland vehicles of the 1930s, Ruggles plays a mild mannered husband prone to sleepwalking. His nocturnal prowlings cause no end of embarrassment for his wife (Mary Boland), especially since Ruggles is a more aggressive personality when asleep.
Grant's dreams of connubial bliss are shattered when he's forced to trail along while Landi tours the world with a huge entourage; he's also not happy with his wife's frequent temperamental outbursts.
Evenings For Sale (1932) Evergreen (1934) Every Night at Eight (1935) + Melody In Spring (1934) Extravagance (1930)
Evenings For Sale (1932)
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Evergreen (1934)
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Every Night at Eight (1935) + Melody In Spring (1934)
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Extravagance (1930)
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In this romance, an impoverished Viennese aristocrat becomes a gigolo. While on the job, he encounters a Yankee widow who is terribly impressed by titled men. They get involved and she helps him start afresh. The Ben W. Levy play Evergreen proved to be an excellent film vehicle from British music-comedy star Jessie Matthews. Our heroine plays a popular music hall thrush of the early 1900s, whose impending marriage into nobility is destroyed by the arrival of her long-thought-dead lover.
Every Night At Eight:  Alice Faye, Frances Langford, and Patsy Kelly play three humble factory workers (with a Hollywoodized wardrobe beyond the budget of any genuine factory girl) who occasionally sing together for the fun of it. They harbor dreams of becoming famous, but the prospect isn't likely until bandleader George Raft hears the girls harmonizing.

Melody In Spring: Radio tenor Lanny Ross made a game bid for film stardom in  Melody in Spring. Though Ross, cast as one John Craddock, is given top billing, the picture belongs to the delightful screen team of Charlie Ruggles and Mary Boland as Warren and Mary Blodgett, sponsors of a popular network radio program. The inimitable Hermann Bing and the three Gale sisters --Joan, Jane and June -- dominate the supporting cast.
Alice Kendall is the darling of her social set, the sons and daughters of millionaires, although Alice's mother has impoverished herself to provide Alice with the luxuries she expects as her right.
Fair Warning (1937) False Madonna (1932) and Vice Squad (1931) Father Brown, Detective (1935) + Wharf Angel (1934) Feather in Her Hat (1935)
Fair Warning (1937)
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False Madonna (1932) + Vice Squad (1931)
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Father Brown, Detective (1935) + Wharf Angel (1934)
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Feather in Her Hat (1935)
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Chunky character actor J. Edward Bromberg carries the weight of Fair Warning on his burly shoulders.

 Bromberg is cast as Matthew Jerico, a sheriff in the Death Valley region of California, at present assigned to solve the murder of a wealthy miner.

The killing took place at a swank tourist resort, meaning that Jerico has hundreds of suspects to choose from.

FALSE MADONNA: A pair of grifters, one of whom is impersonating a doctor, assist a sick woman while riding a train. After the woman dies, the female con-artist assumes her identity so that she can collect a large amount of money.

VICE SQUAD:  In this crime drama, an ambassador must become a police snitch for a corrupt vice squad and it nearly destroys his career. He survives the incident with reputation intact. But then the cops come 'round again.

Father Brown, Detective: G.K. Chesterton's crime-solving cleric Father Brown was first brought to the screen in 1934, in the corpulent form of Walter Connolly. The good father spends most of the film trying to retrieve a valuable diamond cross from elusive thief Flambeau (Paul Lukas). Father Brown is convinced that Flambeau is eminently redeemable, but the double-crossing thief hardly proves to be a prime candidate for salvation.

Wharf Angel:  Adapted from an earlier European film, Wharf Angel stars Dorothy Dell as Toy, a golden-hearted prostitute stranded in San Francisco. Toy finds hope for redemption when she falls in love with Como (Preston S. Foster), a sailor on the lam from a murder charge. In Madame Butterfly fashion, the heroine promises to wait for Como until he is able to clear himself.

In Feather in Her Hat, Pauline Lord plays cockney storekeeper Clarissa Phipps, who worries that her son Richard will grow up being ashamed of her humble vocation. Thus, she loftily pretends that she's not Richard's mother, and that the boy is actually the offspring of a prominent theatrical family.

Upon reaching adulthood, Richard (Louis Hayward) becomes a prominent playwright, confident that the stage is in his blood, while Clarissa secretly sells her store at a loss to finance Richard's first production.
Finn And Hattie (1931) Flesh And Fantasy (1943) Flight Folies Bergère (1935)
Finn And Hattie (1931)
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Flesh And Fantasy (1943)
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Flight (1929)
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Folies Bergère (1935)
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In this youthful comedy, a child genius has fun getting her cousin into trouble. The bright girl's parents take her and her nephew on a sea cruise to Paris.

When she is not bedeviling her cousin, she is helping her father get out of trouble with con artists.
"Flesh and Fantasy" is a fantastic movie made up of sketches.
Director Julien Duvivier creates a dreamlike atmosphere,
conjuring up images like a true magician, admired by
master directors Ingmar Bergman and Orson Welles.
This early Frank Capra talkie stars popular screen action team Jack Holt and Ralph Graves as US marines stationed in Nicaragua. A nightclub entertainer (Chevalier), is hired to pose as his look-alike (also Chevalier), a prominent aviation tycoon. The masquerade causes consternation for the entertainer's girlfriend, who of course has no idea what's going on, and for the tycoon's wife, who can't understand why her cold-fish husband has suddenly become so warm and demonstrative.
For the Defense (1930) + Street Of Chance (1930) Four Clowns (1970) The Four Feathers From Hell to Heaven (1933)
For the Defense (1930) + Street Of Chance (1930)
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Four Clowns (1970)
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Four Feathers (1928)
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From Hell to Heaven (1933)
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For the Defense (1930 - 62 min) William Powell stars in this drama as William Foster, a gifted defense attorney with a gift for making cases go his way. Foster's winning record in the courtroom has earned him a colorful clientele, including several notorious criminals, but he doubts his abilities when his girlfriend Irene Manners (Kay Francis) is charged with manslaughter after a violent incident which occurred while she was drinking.

Street of Chance (1930 - 76 min) This fact-based drama chronicles the events that led to the murder of a notorious gambler. The story begins when a young cardsharp goes to see his brother, whom he believes is a stockbroker. In reality, the brother is a famed gambler who is trying to quit and try to rebuild his marriage.
Robert Youngson once again compiles scenes from the golden age of comedy's silent film era. Richard Arlen stars as Harry Faversham, the British officer who resigns rather than fight against rebels in Egypt. Starring Richard Arlen, Fay Wray, William Powell, and Clive Brook. The world of horse racing provides the backdrop for this episodic drama. Much of the story is set at the Luray Springs Hotel where the characters wait for the running of the Capitol Handicap. The main story focuses upon Colly Tannyer, a pretty young handicapper who must wrangle up $10,000 so she can bet on a special horse. He former lover, Cuff Billings, helps her out under the condition that if the horse loses, she must make love to him. She agrees, and unfortunately, her steed places third. Fortunately, Cuff is more honorable than she though and he ends up romancing her.
Gallant Lady (1934) Gentlemen of the Press George White's 1935 Scandals (1935) Gilded Lily, The (1935)
Gallant Lady (1934)
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Gentlemen of the Press (1931)
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George White's 1935 Scandals (1935)
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Gilded Lily, The (1935)
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Ann Harding, one of screen-dom's finest sufferers, stars in Gregory LaCava's Gallant Lady. Left pregnant by her (apparently) deceased lover Dan (Clive Brook, cast against type as a drunken lout), Sally (Harding ) tearfully gives up her son Didi (Dickie Moore) for adoption and endeavors to start life anew. She enjoys success as an interior decorator, yet still she longs to be reunited with her son.
Broadway producer George White, who was the title character of 1934's George White's Scandals, heads for Florida following his latest hit.

He makes it to Georgia where he sees an advertisement for a show called White's Scandals. Suspicious, he attends and learns that it is a hodge-podge variety show put on by another fellow named White.
While Peter is crazy about Marilyn, she has her eye on Charles Gray (Ray Milland), a wealthy Englishman. Charles is the son of Lloyd Granville (C. Aubrey Smith), a titled British nobleman, which means Charles is rich, good looking, and minor royalty, tipping the scales in his favor. Charles proposes marriage to Marilyn, but after a sudden argument, she turns him down.
Girl In 419 (1933) Gun Smoke (1931) and Secret Call (1931) Girl Without a Room (1933) Girls About Town (1931)
Girl In 419 (1933)
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Girl O' My Dreams (1935) + Melody Lingers On (1935)
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Girl Without a Room (1933)
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Girls About Town (1931)
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A large urban hospital provides the setting for this drama. The staff there has seen it all and this is reflected in their hard-bitten demeanor, their cynicism, and the cruel jokes they play.

One of them, an excellent surgeon gains a new outlook on life after he gets involved with investigating the death of a mobster, fatally shot in his hotel suite during a card game. The police call him to the scene to look at the corpse.
Girl O' My Dreams

Long before its "Teen Agers" series of the 1940s, Monogram Pictures went to college in the musical Girl of My Dreams. Heading the somewhat over-aged student body are BMOC Larry Haynes (Edward Nugent) and track-star Don Cooper (a handsome young Lon Chaney Jr., here still billed as Creighton Chaney).

The Melody Lingers On

American opera baritone George Houston, who later gained a measure of fame as a western hero, made his film debut in The Melody Lingers On. Houston plays Salvini, a dashing Italian army captain who enjoys a brief romantic fling with concert pianist Ann Prescott (Josephine Hutchinson).
In this comedy, a Tennessee lad, enrolled in art school wins a scholarship to paint in Paris. He is thrilled until he arrives and discovers that his style is hopelessly passe and is considered trashy. Kay Francis and Lilyan Tashman portray what used to be euphemistically labeled "good time girls". They work the convention circuit, providing companionship and other favors for tired business men--who of course lavish the girls with expensive gifts.
Glamour Boy (1940) + Let's Fall in Love (1934) Golden Harvest (1932) Great Expectations (1934) Great Gambini (1937)
Glamour Boy (1940) + Let's Fall in Love (1934)
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Golden Harvest (1932)
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Great Expectations (1934)
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Great Gambini (1937)
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Glamour Boy:  Former child star Jackie Cooper headlines this sentimental behind-the-scenes comedy drama. He plays an ex-child star who now jerks sodas for a living in Hollywood.

Let's Fall in Love:  A genial lampoon of the Greta Garbo craze, Let's Fall in Love stars Ann Sothern as Jean, a Brooklyn-born aspiring actress. It so happens that Ken (Edmund Lowe), an ambitious movie director, is searching for a Swedish actress to replace his temperamental star Forsell (Tala Birrell).
A play by Nina Wilcox Putnam was the source for the empire-building drama Golden Harvest.

Chester Morris stars as ambitious grain trader Chris Martin, who through fair and foul means corners the wheat market and becomes a millionaire.

Outgrowing his humble farm beginnings, Chris makes a bid for respectability by marrying Chicago socialite Cynthia Flint (Genevieve Tobin).
The story is the familiar one of young Pip (George Breakstone as a boy, Phillips Holmes as an adult) whose future wealth is assured through the auspices of a mysterious benefactor. It turns out that Pip's "guardian angel" is condemned convict Magwich (Henry Hull), repaying a favor the lad had done for him years earlier. Akim Tamiroff plays the Great Gambini, a famous magician mixed up in a murder case.

In addition to his card tricks and onstage illusions, Gambini is something of a mystic, and has predicted the death of the murder victim.

Suspects breed like rabbits, but the actual culprit turns out to be the only person Gambini truly loves (It's not hard to figure out who done it; only in the last reel do we find out why).
Great Hotel Murder (1935) + Guilty As Hell (1932) The Guilty Gun Smoke (1931) and Secret Call (1931) Happy Time (1952)
Great Hotel Murder (1935) + Guilty As Hell (1932)
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Guilty (1947)
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Gun Smoke (1931) + Secret Call (1931)
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Happy Time (1952)
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The Great Hotel Murder: A writer of mysteries helps a house detective solve a murder in this murder mystery. The murder occurs in the hotel in which the writer is staying. It is a mystery because, though the corpse was found in a hotel room, it was not the room he had registered for.

Guilty as Hell: Victor McLaglen and Edmund Lowe carry their pugnacious Quirt-and-Flagg relationship into the murder mystery genre in Guilty as Hell. Actually, there's very little mystery involved, since the audience is informed at the outset that dignified Dr. Tindall (Henry Stephenson) is responsible for the death of his faithless wife (Claire Dodd).




In this murder mystery, a man goes into a bar and begins telling his story to the bartender. His tale is depicted in flashback. It all began while he was romancing a young woman. The trouble began when her twin sister was killed and stuffed into an incinerator. The three prime suspects were the girl's boyfriend, a spurned lover, and the storyteller. GUN SMOKE
A bunch of urban gangsters, forced out of the Big City when the cops put the screws in, head to Idaho to continue their crooked activities in the Wide Open Spaces.

THE SECRET CALL
Peggy Shannon plays Wanda Kelly, the daughter of a disgraced politician. Reduced to working as a switchboard operator, Wanda is privy to the many secrets and indiscretions of the clients of a big-city hotel.
Set in Quebec during the
early part of the 20th century, the film concentrates on the activities
of a large French-Canadian family headed by Charles Boyer. Most of the humor arises from "coming of age"
complications and sexual awakenings, especially when worldly prodigal
son Louis Jourdan returns to the fold and
exercises his influence on impressionable young Bobby Driscoll.
Heads Up (1930) + Pointed Heels (1930) Healer (1936) Hearts In Bondage (1936) Hell Harbor (1930)
Heads Up (1930) + Pointed Heels (1930)
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Healer (1936)
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Hearts In Bondage (1936)
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Hell Harbor (1930)
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Heads Up:  In this action-musical, a Coast Guard ensign must investigate a yacht suspected of smuggling alcohol. While aboard, he falls for a lovely young woman. The woman disobeys her mother and begins seeing the ensign who soon discovers that the brains behind the operation is the man the woman's mother wanted her to marry.

Pointed Heels
: William Powell was still in his tux-and-top-hat period when he starred in Pointed Heels. The scene is Broadway, where millionaire Robert Courtland (Powell) promises to back a new musical production on the proviso that bit player Lora Nixon (Fay Wray) be given a major role.

Ralph Bellamy stars as Dr. Holden, aka "The Healer," a medical doctor operating a charity camp at a mineral spring in the Adirondacks. When vacationing socialite Joan Bradshaw (Judith Allen) is thrown from her horse, Dr. Holden performs a tricky operation that restores her to perfect health.

They fall in love, but Joan has a less than savory influence on the good doctor, who forgets all about his charity work in general and lame little Jimmy (Rooney) in particular.
First-time director Lew Ayres performs miracles on a tiny budget in the Civil War drama Hearts in Bondage. The story offers a romanticized version of the events leading up to the battle between the "ironclads" Monitor and Merrimac.

The real stars of Hearts in Bondage are Republic's special-effects mavens Howard and Theodore Lydecker, whose splendid utilization of scale models in the climactic Monitor-Merrimac confrontation is both exciting and convincing.
Even allowing for the comparative freedom of the pre-Production Code years, 1930's Hell Harbor was pretty strong meat for its time.

The story is set on a remote Caribbean island, entirely populated by descendants of Sir Henry Morgan's pirate crew. Morgan's brutish great-great-grandson Henry Morgan (Gibson Gowland) intends to shower himself with gold and to that end forces his daughter Anita (Lupe Velez) into a marriage with despicable moneylender Joseph Horngold (Jean Hersholt).

Coming to Anita's rescue is shipwrecked American sailor Bob Wade (John Holland), whose presence sparks an unchecked riot on the island. Director Henry King also produced the film through his own Inspiration Pictures Corporation.
Hell-Ship Morgan (1936) Her Husband Lies (1937) Her Master's Voice (1936) Here Comes The Groom (1934)
Hell-Ship Morgan (1936)
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Her Husband Lies (1937)
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Her Master's Voice (1936)
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Here Comes The Groom (1934)
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Hell-Ship Morgan (George Bancroft) is the brawny skipper of a small fishing schooner. Supplying fish for a San Francisco cannery, Morgan works hard and relaxes even harder, boasting not one but several girls in every port.

Our hero's roving days come to an end when he marries Mary (Ann Sothern), who agrees to a honeymoon on Morgan's schooner. Once on the high seas, Mary can't help but fall in love with Morgan's first mate Jim (Victor Jory), but before Morgan can take retaliatory action, the tiny vessel is hit by a hurricane.
Two brothers exchange lifestyles in this drama. The older brother, a gambler, wants to lead a clean, crime-free life while his wiseacre younger brother wants to become a professional gambler.

With great hesitation, the older teaches the younger all he knows. The younger brother is a quick study and ends up playing so well that he aces a group of veteran gamblers out of their money.
Besieged by his adoring female fans, Ned Farrar, "The Fireside Troubadour" hides out at the home of his wife Queena's (Peggy Conklin) imperious Aunt Min (Laura Hope Crews).

He pretends to be Aunt Min's handyman, performing his tasks so well that the old lady refuses to let him leave! This in itself is amusing enough, but the producers felt that a few low laughs were needed, thus the film ends in a slapstick car chase.
1934's Here Comes the Groom stars Jack Haley as an unobtrusive little guy who wants to succeed as a criminal. In order to win the heart of hard-boiled Isabel Jewell,

Haley must prove he has what it takes to become a gangster. Enter Patricia Ellis, on the rebound from being jilted by a radio crooner.
High Gear (1933) High Voltage (1929) The Hole in the Wall Hollywood Boulevard (1936) + The Preview Murder Mystery (1936)
High Gear (1933)
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High Voltage (1929)
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Hole in the Wall (1929)
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Hollywood Boulevard (1936) + The Preview Murder Mystery (1936)
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The plot revolves around Mark "High Gear" Sherrod (James Murray), whose career has reached its peak after five years as a race car driver. His popularity lands him an exclusive interview with Anne Merritt (Joan Marsh), a newspaper gal or "sob sister" for the Morning Eagle, with whom he becomes interested.

During the big race, Mark's car, The Red Lion Special, meets with a serious accident, causing the death of Eddie Evans (Mike Donlan), his mechanic co-driver and best friend. Taking the responsibility in raising Eddie's young son, Jimmy (Jackie Searle), Mark keeps his friend's promise by raising the boy and enlisting him in military school.
In one of her first talking pictures, Carole Lombard played a girl crook falling in love with a handsome lineman (William Boyd) while marooned during a snow storm.

Crossing the High Sierras in a bus, a group of travelers find themselves stranded in a small village and at the mercy of Bill Dougherty (Boyd), a lineman who apportions them a small amount of food.

Hollywood Boulevard 1936 - 70 min. Hollywood Boulevard is a trenchant look at the underside of Tinseltown. Though the nominal hero is a disillusioned screenwriter played by Robert Cummings (whose dialogue anticipates the lines spoken by William Holden in 1950's Sunset Boulevard), the focus of the story is John Halliday as a washed-up film star.

The Preview Murder Mystery 1936 - 60 min.It's a black night in Hollywood when matinee idol Neil DuBeck (Rod LaRoque) is murdered at the preview of his latest film. Director E. Gordon Smith (Ian Keith), who has long harbored a deep hatred for DuBeck, is the main suspect — until he too is killed, along with a movie-studio watchman (Spencer Charters).
Hot Pepper Hot Saturday Hotel Haywire (1937) Hypnotized (1932)
Hot Pepper (1933)
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Hot Saturday (1932)
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Hotel Haywire (1937)
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Huckleberry Finn (1931)
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In this romantic comedy, a socialite has an argument with her sweetie and decides to exact revenge. Randolph Scott, Cary Grant, and Nancy Carroll star. A dentist named Parkhouse (Lynne Overman) plays a practical joke on a poker-playing buddy by sending him home with a lady's chemise stuffed in his coat pocket. The gag backfires, whereupon Parkhouse finds himself in hot water with his own wife (Spring Byington).

Threatened with divorce, Parkhouse is advised by a zany astrologer to frame Mrs. P. in a compromising situation at the Hotel Haywire, enlisting amateur detectives Bert and Genevieve Sterns (Benny Baker and Colette Lyons) in his scheme.
Based on the novel by Mark Twain, Huckleberry Finn stars Junior Durkin in the title role, Jackie Coogan as Tom Sawyer, Mitzi Green as Becky Thatcher and Clarence Muse as Jim the slave.

The basic storyline begins when Huck's no-good Pap (Warner Richmond) kidnaps the boy from his guardian, the Widow Douglas.
Husband's Holiday (1931) Hypnotized (1932) I Cover The Waterfront (1933) Interference (1928)
Husband's Holiday (1931)
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Hypnotized (1932)
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I Cover The Waterfront (1933)
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Interference (1928)
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The patience of a long-suffering wife is finally rewarded in this drama.

 The devoted wife has known that her husband has been having an affair for years but she has passively allowed it to continue, believing that eventually her husband will come back to her.
A circus worker wins a sweepstakes prize of $150,000 and must travel to England to present his ticket and collect his winnings. He books passage on a transatlantic liner, but on board is a shady hypnotist who hears about the man's good fortune.

He manages to get a chance to hypnotize the winner and then takes his ticket, after which he disappears. When the man wakes up and realizes his ticket has been stolen, he sets out to find the phony "professor" and reclaim his ticket.
With an editor who won't leave him alone because the leads are constantly rolling in, wannabe investigative reporter Joe Miller (Ben Lyon) can't get a decent night's rest from his waterfront beat.

Forced to cover everything from bootleggers to herring stench, mob arrests to nude swimmers, he's got no choice- he'd be out a job if he doesn't jump when the boss says so.
William Powell's first all-talking picture also stars Evelyn Brent as scheming Deborah Kane, who sets out to blackmail
Faith Marley (Doris Kenyon), the above-reproach wife of Sir John Marlay (Clive Brook).
Iron Man Island of Doomed Men (1940) Island of Lost Men It Can't Last Forever (1937) + Navy Wife (1936)
Iron Man (1931)
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Island of Doomed Men (1940)
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Island of Lost Men (1939)
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It Can't Last Forever (1937) + Navy Wife (1936)
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In this boxing drama, a prizefighter is left by his money-grubbing showgirl wife who aspires to be a movie star. Starring Lew Ayres, Jean Harlow, Robert Armstrong. Tod Browning directs. G-Man Robert Wilcox goes "undercover" as "Mr. Smith" to expose brutal conditions on an island -- somewhere in the Pacific Ocean -- where paroled men perform slave-labor in a mine owned by Peter Lorre.

In the process, Wilcox falls in love with Lorre's wife, Rochelle Hudson, who's just as much a prisoner on Dead Man's Island as he is.
Teutonic expatriates Kurt Neumann (director), Karl Struss (cinematographer), Hans Dreier (art director) combine skills in this very loose remake of the 1933 Charles Laughton/Carole Lombard WHITE WOMAN with Anna May Wong cast as Kim Ling, and J. Carroll Naish is Gregory Prin.
It Can't last Forever:  Theatrical agents Russ Matthews (Ralph Bellamy) and Al Tinker (Robert Armstrong) try to make a quick buck by promoting bibuolous vaudeville fortune-teller Dr. Fothergill (Raymond Walburn) as a genuine prophet.

Navy Wife:  A Kathleen Norris novel was the source for this romantic drama, which begins when widowed navy doctor Quentin Harden (Ralph Bellamy) falls in love with nurse Vicki Blake (Claire Trevor). Despite her awareness that most naval marriages end in divorce, Vicki says "yes" when Harden proposes.
It Happens Every Spring (1949) It's All Yours Jazz Age (1956) Jimmy And Sally (1933)
It Happens Every Spring (1949)
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It's All Yours (1937)
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Jazz Age (1956)
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Jimmy And Sally (1933)
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Professor Simpson was a chemistry professor at a Midwestern college. He was in love with the Dean's daughter, Deborah Greenleaf and hoped that someday they would be married. College professor's salaries being what they were in the late forties, his only hope of being able to financially support Miss Greenleaf depended on an experiment he had devised that would someday change the world.

Like all normal American men of his day, Vernon was also known to get caught up in the Rite of Spring better described as the opening of the baseball season. One day while in his lab working intently on his experiment....
Jimmy Barnes (Francis Lederer) arrives from Europe to be educated by his multi-millionaire uncle, Edward J. Barnes (J.C. Nugent) and in five years the extravagant escapades of Jimmy, now a lawyer, are the talk of San Francisco. Spanning the period from the 1919 Treaty of Versailles to the 1929 stock market crash, the special utilizes documentary footage and clips from dramatic films to recreate the era of "wonderful nonsense."

The viewer is offered a kaleidoscope of landmark events, fads, foibles, and celebrities: the passage of the 18th Amendment, which led to Prohibition, speakeasies, and the rise of the gangster culture; the hero worship bestowed upon baseball legend Babe Ruth and "lone eagle" aviator Charles Lindbergh; public "crazes" like mahjongg and the Charleston; the "return to Normalcy" expounded by President Warren Harding and the "Business of America is Business" philosophy of his successor Calvin Coolidge; and on less frivolous note, the ascendance of the Ku Klux Klan and the disastrous aftereffects of the Florida Land Boom.
Jimmy is a wiseguy press agent whose efforts to promote a meat-packing firm come to naught. Our hero is fired from his job, whereupon his sweetheart Sally steps in, immediately succeeding where Jimmy had failed.

Meanwhile, Jimmy gets entangled with cabaret singer Pola Wenski (Lya Lys), which puts quite a strain on his relationship with Sally.
Just My Luck (1933) The Kennel Murder Case King of Chinatown Anna May Wong King of the Jungle
Just My Luck (1933)
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Kennel Murder Case (1933)
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King of Chinatown (1939)
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King of the Jungle (1933)
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In this drama a shy music teacher attempts to become more outgoing by taking a "How to Succeed" course.

Later his girlfriend's father puts him in charge of his hotel. Trouble ensues when the establishment's books do not add up and the quiet fellow is accused of embezzling. The shy guy proves his innocence when he catches his accountant doing the dirty deed himself.
Often (and accurately) described as a model of the whodunit genre, The Kennel Murder Case stars William Powell, making his fourth screen appearance as S. S. Van Dine's dilettante detective Philo Vance. Akim Tamiroff plays the title role, an underworld leader who controls all illicit operations in Chinatown. He is left for dead, but is saved by a dedicated Chinese-American doctor (Anna May Wong). In this campy adventure, a man raised in the mysterious African jungles by a pride of lions is captured by circus people and taken to New York along with his feline pals. Buster Crabbe stars.
Ladies Love Brutes Ladies Love Danger (1935) Ladies Of Leisure Ladies of the Big House (1932)
Ladies Love Brutes (1930)
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Ladies Love Danger (1935)
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Ladies Of Leisure (1930)
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Ladies of the Big House (1932)
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Hoping to finish his latest play in peace, writer Ricardo Souchet (Gilbert Roland) loses his train of thought when dizzy blonde reporter Rita (Mona Barrie) invades his apartment.

Before long, Rita has gotten Ricardo involved in a series of murders amongst the theater folk. When the police prove ineffective, our hero is obliged to turn detective himself.
Flower shop girl Sidney has the bad luck to have a vicious hoodlum fall for her in a big way. When she prefers Raymond, the hood has them both framed for murder.

Some powerful moments when they're allowed to see each other for a few brief moments in the penitentiary not long before he's to be executed, and it turns out that the meeting been arranged merely to give a tabloid a photo op.
Ladies Should Listen Lady Be Careful (1936) Lady Lies (1929) Lady of Secrets (1936)
Ladies Should Listen (1934)
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Lady Be Careful (1936)
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Lady Lies (1929)
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Lady of Secrets (1936)
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In this romantic comedy, a Parisian businessman heads for South American for a busman's holiday. There he hopes to have some fun and negotiate a deal concerning the mining of valuable nitrate deposits. Naturally, he carries the necessary contract with him. Knowing this, two con-artists conspire to steal it from him. The unwitting businessman is also pursued by a man-hungry spinster and a love-struck, nosy switchboard operator who taps his phone and ultimately saves his bacon. An amorous sailor named Dynamite (Lew Ayres) bets his pals that he can "thaw" icy beauty-contest winner Billie (Mary Carlisle).

What follows is a series of misunderstandings, arguments and reconciliations, all wrapped up in a happy-ever-after conclusion.
When blue-blooded widower Robert Rossiter (Walter Huston) announces his plans to marry salesgirl Joyce Roamer (Claudette Colbert), his family goes out of their way to stop the engagement.

Despite their original suspicion that Joyce (Colbert) was only involved with their father for his money, however, the upper crust family eventually welcomes her as one of their own.
In this tragic drama, a pregnant daughter prepares to marry a man she doesn't love when her 'sister' tells her a story. It seems that when the older woman was a girl she too got pregnant by her lover. When her father found out, he had the impregnator sent to war where he was killed.
Lights Of New York (1928) Limehouse Blues aka East End Chant Anna May Wong Lone Cowboy (1934) The Lone Wolf Returns
Lights Of New York (1928)
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Limehouse Blues aka East End Chant (1934)
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Lone Cowboy (1934)
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Lone Wolf Returns (1936)
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Lights of New York was the first all-talking feature film. The plot is quite simple. Two country barbers naively buy into a barber
shop on Broadway that fronts as a speak-easy for "The Hawk", a
gangster. When they learn the truth they can't afford to get out,
because the younger barber, Eddie, has all of his mother's money tied
up in the place. This early talkie is loads of fun for the enthusiast of these
pioneering works!
In London's Limehouse district, George Raft stars as Harry Young, a half-caste saloonkeeper who shelters beleaguered white girl Toni (Jean Parker) from her tormentors. Placed in charge of Eastern lad Scooter O'Neal (Jackie Cooper), Dobe (Addison Richards) forms a strong friendship with the kid, but this does not dissuade him from his main purpose in life -- to track down his runaway wife Eleanor (Lila Lee) and her lover Jim Weston (Gavin Gordon).

Finally catching up to the errant couple, Dobe shoots and kills Weston, a violent outburst that also seriously wounds Scooter.
The Lone Wolf Returns stars Melvyn Douglas as Louis Joseph Vance's reformed criminal Michael Lanyard, a.k.a. The Lone Wolf. Lanyard lapses back into his old ways when he attempts to steal an emerald pendant belonging to Gail Patrick, but he falls in love with the girl and remains on the straight and narrow.
Looking For Trouble (1934) Lottery Bride (1930) + One Heavenly Night (1931) Love And Hisses (1937) Luxury Liner (1933)
Looking For Trouble (1934)
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Lottery Bride (1930) + One Heavenly Night (1931)
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Love And Hisses (1937)
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Luxury Liner (1933)
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Joe Graham (Spencer Tracy), a troubleshooter for the telephone company, suspects that his beloved Ethel (Constance Cummings) is working for a crook. Joe and his partner Casey (Jack Oakie) investigate her boss, Dan Sutter (Morgan Conway), but they're caught by Sutter's goons and left to die in a fire.
The Lottery Bride:  Based on "Bride 66", a tone poem by composer Herbert Stothart, The Lottery Bride takes place in a distinctly Hollywoodized Norway. Ever on the lookout for extra cash, heroine Jenny Swanson (Jeanette MacDonald) coerces her sweetheart Chris Svenson (John Garrick) to participate with her in a three-day marathon race.

One Heavenly Night:  Evelyn Laye plays Lilli, a demure flower girl at a Budapest theater who worships the show's star, the temperamental and highly flirtatious Fritzi Yajos (Lilyan Tashman), despite the admonitions of her friend Otto (Leon Errol). Fritzi, however, commits one indiscretion too many and the local prefect of police (Henry Kolker) orders her to take a six months "vacation" in the country, but the highly combustible chanteuse is loath to leave her many lovers and convinces Lilli to go in her stead. 
Before sitting down to watch Love and Hisses, it's important to know that columnist Walter Winchell and bandleader Ben Bernie were engaged in a phony but highly publicized feud in the late 1930s. For the purposes of this film, the source of the Winchell-Bernie contretemps is pretty nightclub singer Simone Simon. Romance and Drama on the high seas! Very rare slice of life drama starring George Brent and Zita Johann, and featuring Vivian Osborne, Alice White, and C. Aubry Smith
Madame Butterfly Madison Square Garden (1932) Magnificent Brute (1936) Magnificent Fraud (1939)
Madame Butterfly (1932)
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Madison Square Garden (1932)
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Magnificent Brute (1936)
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Magnificent Fraud (1939)
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American actress Sylvia Sidney plays Japanese maiden Cio-Cio San, while Cary Grant is the dashing American navy lieutenant Pinkerton. Jack Oakie stars as Eddie Burke, a wise-guy pugilist whose talent is unevenly matched by his ego. Despite his character flaws, Eddie knows the meaning of loyalty.

When his manager Doc Williams (William Collier Sr.) is offered the opportunity to stage a match at Madison Square Garden, but only if he gets rid of his stable of fighters, Eddie fabricates an alibi and stages a walkout on Doc.
A love triangle forms the basis of this fine 1936 drama.  It all begins in a steel mill- a steel worker- 'Big Steve' Andrews (Victor McLaglen) ignores the admiration of his landlady at the boarding house Della Lane (Binnie Barnes) and falls for a gold-digger,Blossom Finney,  played by Jean Dixon. His best friend also finds himself smitten by Blossom.

But when the one of the workers steals a collection that had been taken up for the wife of a deceased co-worker, Big Steve is accused of the theft. Della intervenes and discovers the truth, that Blossom and her real lover have  committed the crime.
Akim Tamiroff plays actor Jules Lacroix who is performing before President Alvarado of a Latin American country (also played by Tamiroff).

Alvarado has been giving an honest government to the country, and has made a treaty he is negotiating a keystone to his policy. But he has made many enemies, and is fatally injured during the performance by a bomb.
Magnificent Lie, The (1931) Man Called Back (1932) Man From Yesterday (1932) Masquerader (1933)
Magnificent Lie, The (1931)
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Man Called Back (1932)
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Man From Yesterday (1932)
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Masquerader (1933)
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The story begins in the first World War when a shell-shocked soldier falls in love with a visiting French actress named Rosa Duchene. Apparently, no relationship occurs, but several years later, his vision failing, he still has feelings for her. After he goes entirely blind and asks permission to see Duchene, her assistants (watch for a young Charles Boyer) decide to play a trick, and have night club singer Poll pretend to be Duchene. The film is set in the tropics; Conrad Nagel tops the cast as a dissipated, derelict doctor, hopelessly in love with married socialite Doris Kenyon. Doris' insane husband John Halliday commits suicide, but arranges the evidence so that his wife will be charged with murder.

Nagel snaps out of his drunken doldrums to prove Doris' innocence. Watch for "the ever-popular Mae Busch" in a minor role.
A woman whose husband never came home from World War I finds herself in love with her doctor. She travels with him to Switzerland, and as they check into the hotel there, she is astounded to see her supposedly dead husband. In an interesting precursor to his later vehicle The Prisoner of Zenda, Ronald Colman essays a dual role in Goldwyn's The Masquerader. Colman is cast as Member of Parliament Sir John Chilcote and his identical cousin, a newspaper journalist also named John. A mean-spirited alcoholic and drug addict, Sir John needs time to try to recover from his multitude vices.
Me and My Gal (1932) Men Without Names (1935) Merrily We Live (1938) Mickey (1948)
Me and My Gal (1932)
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Men Without Names (1935)
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Merrily We Live (1938)
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Mickey (1948)
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In this wisecracking comedy, Dan Dolan (Spencer Tracy) is a cop whose beat is the New York waterfront. Dan has a soft spot for Helen Riley (Joan Bennett), a sharp-tongued waitress at a cheap diner, while her scatter-brained sister Kate (Marion Burns) is in love with Duke Castage (George Walsh),
a sleazy low-level mobster. 
In his second starring role, Fred MacMurray plays a government man who travels incognito as he trails a team of crooks from Brooklyn to Kansas.

Lynne Overman is MacMurray's easygoing partner, who (naturally) is rubbed out by the hoods. MacMurray inveigles his way into the gang and brings them to justice--the ones who survive, that is.
Billie Burke netted a Best Supporting Actress Oscar nomination for her batty portrayal of the family matron. Constance Bennett is a delight as the zany daughter and Clarence Kolb is incredibly acrobatic for his age as the put upon husband and father of the group. And Brian Aherne should have netted an Oscar nomination for his breezy and inventive comedy performance - a gem. The film netted five Oscar nomination in total: Supporting Actress, Sound, Song, Art Direction and Cinematography. This is a delight from start to finish!
Not a remake of the 1917 Mabel Normand vehicle of the same name, Mickey was based on Clementine,
a novel by Peggy Goodin. The tomboyish title character is played by
redheaded Lois Butler, whom Eagle-Lion Studios was trying to build into
a major name. During her awkward transition to womanhood, Mickey Kelly
takes time out to find an eligible wife for her widowed father George
(Bill Goodwyn). Of the two likeliest candidates, bitchy Lydia Matthews
(Rose Hobart) seems to have the inside track, but Mickey vastly prefers
down-to-earth Louise Williams (Irene Hervey). The best performance is
delivered by Skippy Homeier as Hank Evans, the boy who awakens Mickey's
own amorous yearnings.
Midnight Club (1933) + Yours For The Asking (1936) The Mighty (1929) Mind Your Own Business (1936) Miracle Man, The (1932)
Midnight Club (1933) + Yours For The Asking (1936)
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Mighty (1929)
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Mind Your Own Business (1936)
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Miracle Man, The (1932)
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Midnight Club:  Everybody in The Midnight Club is seeing double, and it's all the handiwork of slick London criminal mastermind Colin Grant (Clive Brook). Anyone who wants to commit a crime and get away with it had better get in touch with Grant, who obligingly provides exact doubles of the criminals so as to establish an alibi.

Yours For The Asking: In this crime comedy, a street-savvy gangster involves himself with a Miami socialite. Together, they conspire to turn her familial mansion into a secret gambling casino. The hood is convinced her beauty will draw customers and with the ensuing profits, the two will be able to pay their debts.
In this melodrama set during WW I, a gangster joins the army and is promoted to major. He then returns from war torn Europe to tell a family that their beloved son had died in his arms during a battle. The major then falls in love with the late soldier's sister and decides to accept a position in town as the new police commissioner. In this drama, a Boy Scout leader hosts a local gossip show. Trouble ensues when he predicts a politician's murder just before it occurs. He is arrested by the DA, but before getting to jail, he is abducted by irate gangsters--the real killers. Fortunately, his loyal Scout troop rallies to his rescue. A San Francisco gangster hot foots it out of town to cool down after his crime boss is suddenly killed. He ends up in a little coastal town where he begins devising one of the nastiest little con games around.

It seems there is a faith healer in town with the ability to help the crippled walk again. The crook's plan is to use a contortionist pretending to be a cripple to convince people that the healer is for real.
The Misleading Lady (1932) Miss Fane's Baby is Stolen (1934) Miss Susie Slagles (1945) Moon's Our Home (1936)
Misleading Lady (1932)
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Miss Fane's Baby is Stolen (1934)
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Miss Susie Slagles (1945)
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Moon's Our Home (1936)
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Claudette Colbert plays a dizzy socialite who wants to become an actress. She buys her way into an audition for the part of a seductive vamp in an upcoming film. To prove she's worthy of the role, Colbert comes on strong to unsuspecting bachelor Edmund Lowe. He falls like a ton of bricks, but Colbert drops him when she's cast in the film. Based on the recent Lindbergh kidnapping, Miss Fane's Baby is Stolen features German actress Dorothea Wieck, who achieved international fame in Maedchen in Uniform. The provocatively titled Miss Susie Slagle's is actually a leisurely, sentimental story set in a turn-of-the-century boarding house. The title character, played by Lillian Gish, is the house's landlady, catering exclusively to young doctors and nurses in training. Henry Fonda and Margaret Sullavan
Moonlight and Pretzels (1933) + Wake Up And Dream (1934) Moonlight Sonata (1937) More Than A Secretary (1936) Most Precious Things In Life (1934)
Moonlight and Pretzels (1933) + Wake Up And Dream (1934)
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Moonlight Sonata (1937)
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More Than A Secretary (1936)
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Most Precious Things In Life (1934)
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Moonlight and Pretzels 1933 - 80 min.  In this musical, a promoter of songs finds himself marooned in a deadly dull little town during the Depression. While there, a lovely girl helps him put on a Broadway show supported by a successful gambler. Lyrics by Yip Harburg.

Wake up and Dream 1934 - 75 min. Wake Up and Dream was part of a concerted and successful effort to turn radio crooner Russ Columbo into a major movie star. The story is the old saw about a trio of vaudevillians, Paul (Columbo), Charley (Roger Pryor) and Toby (June Knight), who have a falling out when both Paul and Charley fall in love with Toby.
The bulk of the film is set in Sweden, where Eric Molander (Charles Farrell) professes his love for beautiful young baroness Lindenborg (Marie Tempest). Nearby, a plane carrying Paderewski and several other passengers is forced to land due to bad weather.

The travelers take refuge on Lindenborg's estate; one of them, worldly Mario de la Costa (Eric Portman), sweeps Lindenborg off her feet. With Paderewski's implicit assistance, Molander proves that de la Costa is a fortune hunter, paving the way for a fade-out clinch for the hero and heroine.
Secretary Carol Baldwin (Jean Arthur) is in love with her boss, health-magazine publisher Fred Gilbert (George Brent). So what else is new? An impoverished waitress marries a rich college boy against the wishes of his parents. Shortly after bearing his son, the family begins pushing her out of the family, separating her from her son.

Two decades later, the woman is a charwoman who scrubs the floors of her husband's alma mater. It is there that she encounters a handsome young college student who shares with her his romantic travails.
Mother's Millions (1931) Moulin Rouge Murder at the Vanities (1934) Murder By The Clock
Mother's Millions (1931)
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Moulin Rouge (1934)
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Murder at the Vanities (1934)
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Murder By The Clock (1931)
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Based on the stage play, Mother's Millions is one of several 1930s films inspired by the life of the reclusive "Witch of Wall Street" Hetty Green. Though a millionairess several times over, financial sorceress Harriet Breen (May Robson) lives like a pauper and expects everyone around her to do the same. A remake of the silent film Her Sister From Paris, Moulin Rouge stars Constance Bennett in a dual role as twin French entertainers. The Earl Carroll Vanities, a popular Broadway revue of the 1930s and '40s, is the setting for this murder mystery. An eerie early-talkie mystery, Murder by the Clock spends most of its time in a cemetery. The matriarch (Blanche Frederici) of a wealthy family is haunted by the notion that she'll be buried alive.
Murder on Diamond Row (1937) Murders In The Zoo (1933) My American Wife (1936) My Marriage (1936) + Wild Gold (1934)
Murder on Diamond Row (1937)
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Murders In The Zoo (1933)
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My American Wife (1936)
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My Marriage (1936) + Wild Gold (1934)
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London's jewel thieves are under the thumb of a mysterious fence, who ruthlessly exposes any thief who crosses him. Desperate, Scotland Yard re-hires ex-Inspector Barrabal who, as a known drunkard, is ideally suited to go undercover with a faked criminal record (which may spoil his chances with lovely Carol Stedman). Insanely jealous of his wife, wealthy zoologist Lionel Atwill uses his knowledge of animals to dispose of any would-be rivals.

Atwill brings his latest collection of wild animals to a major metropolitan zoo.
The story opens in Smelter City, Arizona, where the richest man in town is grizzled old Indian fighter Lafe Cantillon (Fred Stone). Lafe's social-climbing sister-in-law (Billie Burke) insists that her daughter Mary wed a titled European, Count Ferdinand (Francis Lederer).
My Marriage: In this crime drama, a girl whose father was murdered by gangsters wants to marry into a rich family. Her fiance's mother hates the idea, but consents to the marriage so that she can break it up later. However, she changes her mind about the whole thing when it is revealed that her other son was involved with the murder.

Wild Gold:  This off-beat romantic melodrama contains elements of comedy not usually found in the genre as it tells the story of the love between a show girl fleeing from her husband, a grifter. She heads to a mining company and ends up involved with a dam engineer. When a dam accidentally breaks, the engineer's wife is conveniently swept away. Happiness ensues. The flood footage was lifted from The Johnstown Flood (1926).
Mystery of Edwind Drood (1935) New York Nights Newly Rich (1931) Night Club Scandal (1937)
Mystery of Edwind Drood (1935)
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New York Nights (1929)
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Newly Rich (1931)
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Night Club Scandal (1937)
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John Jasper is a respectable choir master on the upper level, but beneath lurks a madman, an opium-addicted man of intrigue and deception with a deadly fascination for a young girl, Rosa Bud, who is engaged to his nephew, Edwin Drood.

The marriage has been arranged from the crib, and neither Rosa nor Edwin (who is fondly called "Ned") are particularly fond of the idea, having resolved themselves to wed someday, simply because they must. Rosa is a young learner of music, and is fearful of her instructor -- John Jasper -- while her fiancé mere laughs off her uncertainty.
Terrified at the prospect of making her talking-picture debut, silent-screen queen Norma Talmadge spent several months taking diction lessons before shooting commenced on New York Nights. Co-Starring Gilbert Roland. Mitzi Green Fights Like a Boy! Director Norman Taurog was developing quite a specialty directing kids during the early talkie era, and lucky for us he kept coming back to it. NEWLY RICH (aka FORBIDDEN ADVENTURE, based on Sinclair Lewis' LET'S PLAY KING) is one of the more obscure examples, and deserves our attention. Dr. Ernest Tindal kills his wife and plants clues pointing to her lover, Frank Marsh. Vera, Frank's sister, enlists the aid or reporter Russell Kirk in proving the innocence of her brother.

Detective McKinley thinks that gangster Jack Reed is involved and shoots Reed when he attempts to escape. Reed gets away but goes to Dr. Tindal for treatment of his wound and Tindal kills him on the operating table. Kirk has uncovered some new evidence and confronts Tindal with it.
The Night of June 13 (1932) Night Of Terror (1933) No Greater Glory (1934) No Limit
Night of June 13 (1932)
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Night Of Terror (1933)
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No Greater Glory (1934)
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No Limit (1931)
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A multi-character drama set in a suburban neighborhood, The Night of June 13th takes place in four households. One of these is inhabited by unhappy husband Clive Brook, who is accused of murdering his wife.

Actually, she has committed suicide, but those neighbors who could provide Brook with an alibi remain silent for selfish reasons of their own. Leavening the dramatic content is the comedy relief of Mary Boland and Charlie Ruggles as a married couple with in-law problems. Brook is saved at the last minute by an elderly neighbor who blasts the cowardice of the other suburbanites.
Bela Lugosi plays a mysterious Indian mystic who is but one of numerous eccentric characters lingering about in an eerie mansion, stalked by an unseen murderer.

Other potential victims/suspects include a reporter, a pair of exotic house servants, a fetching heroine, even an extra psychopath thrown in as a red herring.
A tough youth gang leader learns the true meaning of courage in this moving and thoughtful drama.

He is the leader of a troop of boys involved in an elaborate game of "capture the flag." He is idolized by a sickly boy on the block who begs to be allowed to join the leader's group.

Eventually the older boy gives in and "enlists" the weakling as a private. Though he treats the young lad with contempt, the boy is so enamored of his hero that he doesn't notice.
In this fluffy comedy, an innocent usherette falls for a customer whom she finally meets and eventually marries. Soon after the ceremony, she learns that he is a jewel thief about to go to jail.

She then moves into a girlfriend's ultra-modern apartment that is really a front for gamblers. Again, the young woman finds herself in real trouble until her hubby is released from jail and comes to her rescue. Happiness ensues.
No More Orchids No More Women (1934) No One Man Notorious Sophie Lang (1934)
No More Orchids (1933)
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No More Women (1934)
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No One Man (1932)
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Notorious Sophie Lang (1934)
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A wealthy, but sad young woman falls in love with an impoverished fellow in this bittersweet romance. The rivalry between two deep-sea diver is chronicled in this adventure. The trouble begins when a young woman inherits one of the diver's boats and promptly hires his rival to help out.

At first they swear to stay away from her, but they cannot and many arguments ensue culminating in a fistfight aboard a roller coaster in an amusement park. During the scuffle, one of the men falls and lands in the ocean. He quickly swims away and is presumed dead causing the other man to be arrested for murder.
No One Man”, features Carole Lombard in one of her typical early 1930s features.

She plays Penelope “Nep” Newbold, a rich fun loving member of the idle Palm Beach set. When her current polo playing boy friend played by Ricardo Cortez (The Maltese Falcon circa 1931) succumbs to a weak heart, Nep takes up with Doctor Paul Lukas (Academy Award Winner “Watch On The Rhine”) who does not belong to her crowd.
Once A Lady (1931) One Hour Late (1935) One Night of Love (1934) One Romantic Night
Once A Lady (1931)
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One Hour Late (1935)
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One Night of Love (1934)
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One Romantic Night (1930)
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Ruth Chatterton plays a free-thinking eccentric Russian who marries a British aristocrat, and bears him a daughter.

His family is displeased and show it. Ruth is indiscreet with another brit, played by Ivor Novello, and is of course run out of England.
Joe Morrison is cast as shipping clerk Eddie Blake, whose girlfriend Betty Dunn (Helen Twelvetrees) is secretary to big boss Stephen Barclay (Conrad Nagel).

A trusting soul, Betty sees nothing wrong in accepting Barclay's invitation to visit his home for the weekend. But Eddie suspects the worst and tags along to make sure that Betty's virtue remains intact.
After several false starts, opera star Grace Moore became a motion picture success in the sublimely assembled One Night of Love.

Moore opens the film by losing a radio talent contest in New York. She disconsolately heads to Europe, where the best job she can come up with is singing in a restaurant. Here she is discovered by brilliant voice-teacher Tulio Carminatti, who carefully nurtures Moore until she becomes the toast of the European opera world.
One Romantic Night represented the talkie debut of the great Lillian Gish.
Paris in Spring (1935) Partners In Crime (1937) Personal Maid (1931) Phantom Lady (1944)
Paris in Spring (1935)
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Partners In Crime (1937)
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Personal Maid (1931)
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Phantom Lady (1944)
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Mary Ellis plays Simone, who breaks up her long-standing engagement with Paul de Lille (Carminati) because she balks at the notion of marriage. Simultaneously, young lovers Mignon (Ida Lupino) and Albert (James Blakely) split up for the same reason.
Partners in Crime was the follow-up to its successful Murder Goes to College; both films were based on a series of mystery novels by Kurt Steel.

Lynne Overman and Roscoe Karns are back as insouciant private eye Hank Hyer and his bibulous partner-in-crimesolving Sim Perkins. Our heroes are currently engaged in protecting a reform-ticket mayoral candidate from a blackmail scheme.
In this drama, a humble Irish lass from New York City's East Side, dreams of ascending the social ladder to escape her tumultuous family life.

She attempts to live her dream by becoming a servant in upscale homes. Soon she finds that wealthy families are just as troubled as her own.
Engineer Scott Henderson (Alan Curtis)
is at a seedy midtown Manhattan bar early one evening, drowning his
sorrows over a failed marriage, when he strikes up a conversation with
a woman (Fay Helm).
She's well dressed, with a very ornate hat topping off her ensemble,
and also seems even sadder and more lost than he is. Henderson
persuades her to join him in taking advantage of the two theater
tickets he has. They attend the show -- a song-and-dance showcase by a
Brazilian artist (Aurora)
-- and then part company without ever exchanging names. He returns home
to find three detectives in his apartment and his wife strangled.
The Phantom President Pick Up (1933) Police Court (1932) AKA Fame Street Private Scandal (1934)
Phantom President (1932)
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Pick Up (1933)
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Police Court (1932) AKA Fame Street
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Private Scandal (1934)
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Legendary songwriter and vaudevillian George M. Cohan made his first appearance in a sound film with this satiric musical comedy. Theodore Blair (Cohan)
is a politician running for president; while he has talent and
intelligence, he's unfortunately as exciting as warm milk, and he is
not doing well on the campaign trail.
In this romantic drama, an ex-con conceals her criminal past and starts a new life with a kindly cab driver. Together, the two friends leave the city and move to the suburbs where she helps him set up an auto mechanic business. Though they are in love, they cannot marry for she is still legally the wife of her incarcerated ex-crime partner. Things get more sticky when a seductive socialite attempts to steal the cabbie from the ex-con. More trouble follows when her husband busts out of jail and she is blamed with helping him escape. Aging has-been silent star Henry B. Walthall plays an aging has-been silent star in this low-budget drama from Monogram Pictures. D.W. Griffith's erstwhile "Little Colonel" is Nathaniel Barry, a once admired actor now facing a magistrate (Edmund Breese) on a charge of drunken disorder.

Barry's young son Junior (Leon Barry) steps in and convinces the judge that Nat has a job waiting for him. But the old actor's fondness for the bottle once again makes him unemployable and he is soon reduced to playing Abraham Lincoln in a traveling sideshow.
Eccentric comic actress ZaSu Pitts was occasionally rewarded with a leading role. In Private Scandal, Pitts is top-billed as Miss Coates, the fey secretary of hotshot young executive Cliff Barry (Philips Holmes).

Accused of murdering his boss B. J. Somers (Lew Cody), Barry suspects that Somers' death was a suicide -- but he dare not voice this opinion without ruining the lives of several others.
Private Worlds (1935) Probation (1932) + Thrill Of A Lifetime (1937) Rain Or Shine (1930) Ready for Love (1934)
Private Worlds (1935)
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Probation (1932) + Thrill Of A Lifetime (1937)
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Rain Or Shine (1930)
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Ready for Love (1934)
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The first major film about psychiatry, Private Worlds stars Claudette Colbert as a psychiatrist with more than a few problems of her own.

Colbert's appointment to a top mental hospital is frowned upon by head doctor Charles Boyer, who doesn't have much confidence in woman doctors of any kind.

Probation: Sally Blane (Loretta Young's look-alike sister) plays Janet, a Manhattan socialite who is fed up with the superficiality of her friends. Sensing that Janet is bored with life in general, her Uncle George (J. Farrell McDonald), who happens to be a judge, decides to show the girl how well off she really is.

Thrill of a Lifetime"Camp Romance," a place for the romantically challenged, provides the setting of this musical. The story centers on a frumpy secretary's crush on her handsome boss, the camp manager. The manager has been working on a musical. Just as he is about to finish it, the secretary gives herself a makeover, turns into a drop- dead knockout, and romantic bliss ensues.
Director Frank Capra brought legendary Broadway comedian Joe Cook's 1928 stage musical Rain or Shine to the screen in 1930, cutting all of its songs and concentrating almost exclusively on the star. The trouble begins when a young woman (Ida Lupino)  flees her boarding school to stay with her retired aunt, a former actress, who try as she might, has never been welcomed into the snobbish community in which she resides. The young woman too, is shunned and ends up being victimized in witchcraft trial and ducked into a pool of water.
Renegades Return of Sophie Lang (1936) Revielle with Beverly The Riding Tornado (1932)
Renegades (1930)
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Return of Sophie Lang (1936)
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Revielle with Beverly (1943)
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Riding Tornado (1932)
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NOW AVAILABLE Beverly Ross moderates an 5:30 am radio show with swing music, dedicated to the local servicemen. Two buddies of her brother have a chance to meet her and both fall in love. The Riding Tornado featured Tim McCoy as a famous rodeo champ who, incognito, wins a supposed killer stallion, Pal, and a purse of 500 dollars in a small town race. Having amicably lost the money in a poker game, Tim is hired by Pal's prior owner, rancher Hiram Olcott (Lafe McKee), to track down a gang of cattle rustlers headed by Hetch Engle (Wheeler Oakman).
Road To Reno (1931) Roadhouse Nights (1930) Romance In The Dark (1938) Rose Bowl (1936)
Road To Reno (1931)
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Roadhouse Nights (1930)
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Romance In The Dark (1938)
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Rose Bowl (1936)
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In this drama, a twice married woman tries one more time with number three.

Unfortunately, her wedding is suddenly halted when the woman's irate son kills the groom during the ceremony, and then shoots himself.
The film's star is Helen Morgan, a roadhouse chanteuse whose gangster bosses head a murderous bootleg operation. Charlie Ruggles portrays an inveterate drinker who frequents Morgan's club; actually, Ruggles is a news reporter whose phony drunkenness is a cover for his investigation of the bootleg ring.

Jimmy Durante made his movie debut in Roadhouse Nights, an amalgam of musical comedy and gangster melodrama. In truth, Durante is a special added attraction, together with his nightclub partners Lou Clayton and Eddie Jackson.
Gladys Swarthout, formerly of the Met, stars as Ilona Boros, a peasant girl with a magnificent voice who becomes a pawn in the rivalry between opera tenor Tony Kovach (John Boles) and his business manager Zoltan Jason (John Barrymore).

Both men are infatuated with the beautiful, but cold, Countess Foldessy (Claire Dodd), and Tony plans to make Ilona a star so that Jason will be attracted to her instead. The scheme backfires, of course, and soon both men are fighting over Ilona, the outraged countess left to instead pursue Jason's butler, Von Hemisch (Curt Bois).
Longtime chums Paddy O'Reilly (Tom Brown) and Dutch Schultz (Benny Baker) may be heroes of the high-school gridiron, but they're persona non grata with the girls, thanks to campus lothario Ossie Merrill (Larry "Buster" Crabbe).
The Royal Family of Broadway (1930) Safety In Numbers (1930) Sarah And Son (1930) Saturday's Millions (1933)
Royal Family of Broadway (1930)
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Safety In Numbers (1930)
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Sarah And Son (1930)
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Saturday's Millions (1933)
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Royal Family of Broadway is an abridged but otherwise literal translation of the George S. Kaufman/Edna Ferber Broadway hit The Royal Family.

The title referred not to kings and queens but to a prominent theatrical family named Cavendish--based none too loosely on the famed Barrymore clan.
In this light musical comedy, an aspiring songwriter tries to make it big on Broadway. Later his uncle decides to show him all about the world and so hires three gorgeous show girls to take him around the Big Apple.
A young wife is devastated to discover that her husband has sold their son to a wealthy couple and left her. The woman begs the couple to return the infant, but the heartless duo refuses.

The woman goes on to become an opera star and at the peak of her fame, again goes to the couple.

Chatterton received an Oscar nomination for her performance.
Young football hero Jim Fowler (Robert Young) isn't in it for the love of the game.

The hardworking young man is simply using the sport as a means to help him pay for school, and doesn't consider it any different from the laundry service he runs in his spare time.
Scandal Sheet (1931) Secret of the Blue Room (1933) Secrets Secrets of a Secretary (1931)
Scandal Sheet (1931)
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Secret of the Blue Room (1933)
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Secrets (1930)
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Secrets of a Secretary (1931)
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Mark Flint (George Bancroft) is the editor of the titular scandal sheet, possessing all of the gall and none of the ethics of your average big-city journalist.

Knowing full well that his wife (Kay Francis) plans to leave him in favor of handsome but unscrupulous banker Noel Adams (Clive Brook), Flint digs up as much dirt as possible on his rival.
The three suitors of the heroine (Gloria Stuart) wager that each can survive a night in the forbidding blue room. The first to brave the room is a callow young man (William Janney) in whom the heroine has no real interest. A scream is heard in the middle of the night; when the other guests investigate, the young man has vanished, and the available clues suggest that he has met with foul play. SECRETS was the last movie Mary Pickford would appear in as an actress. Her performance is really quite superb. In this pre-code drama, an impetuous heiress goes on a cruise and ends up marrying a Latin gigolo on a whim. Her father then dies, and as soon as her devoted husband discovers that the old man died destitute, he takes off. Now the girl must work; she gets a job as her father's best friend's wife's social secretary.
Seventy Thousand 70,000 Witnesses (1932) Shanghai (1935) She Couldn't Take It (1935) She Loves Me Not
Seventy Thousand 70,000 Witnesses (1932)
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Shanghai (1935)
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She Couldn't Take It (1935)
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She Loves Me Not (1934)
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This murder mystery begins during a crucial college football game. Wally Clark (Johnny Mack Brown), the team's star player, is killed just before making the winning touchdown, as the titular 70,000 witnesses look on.

Wally's teammate Buck Buchanan (Phillips Holmes), the younger brother of gambler Slip Buchanan (Lew Cody), had previously refused to drug Wally at Slip's bequest. Even so, when Wally drops dead, the leading suspect is poor Buck.
Koslov falls in love with beautiful American Barbara Howard (Loretta Young), but dares not propose marriage because he is half-Chinese. Even so, Barbara insists upon trailing after the elusive Koslov into the mountainous regions of China, symbolically shedding all her valued possessions to finance her odyssey. A heady blend of screwball comedy and crime melodrama, She Couldn't Take It is one of the fastest and funniest films of 1935.

When he's shipped off to prison on a tax-evasion charge, millionaire Van Dyke (Walter Connolly) breathes a sigh of relief: at least he'll be free of his dizzy, spendthrift wife (Billie Burke) and spoiled-rotten daughter Carol (Joan Bennett).

Once behind bars, Van Dyke strikes up a friendship with amiable reformed bootlegger Ricardi (George Raft).
Miriam Hopkins plays a showgirl who witnesses a gangland slaying. Bing Crosby and Elliot Nugent are somewhat over-aged Princeton University students who agree to hide Miriam.

They disguise her as a boy (a remarkable achievement) and manage to pull the wool over the eyes of the dean (Henry Stephenson) and even the dean's daughter (Kitty Carlisle).
She Married Her Boss Sherlock Holmes Shoot The Works (1934) The Silent Witness
She Married Her Boss (1935)
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Sherlock Holmes (1932)
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Shoot The Works (1934)
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Silent Witness (1932)
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Claudette Colbert Melvyn Douglas Directed by Gregory La Cava Tight direction and excellent performances by Clive Brook as Holmes and Ernest Torrance, a villainous Moriarty. Jack Oakie stars as seedy sideshow barker Nicky, who uses everyone he meets to get ahead. Nicky isn't even above exploiting his singing sweetheart Lily (Dorothy Dell) to suit his purposes, but this time it is he who ends up the loser -- at least until he gets wise to himself. NOW AVAILABLE
Six Hours To Live (1932) Sky Bride (1932) Sky Devils (1932) Slightly Scarlet (1930)
Six Hours To Live (1932)
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Sky Bride (1932)
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Sky Devils (1932)
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Slightly Scarlet (1930)
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In this off-beat sci-fi film, an outspoken ambassador is murdered during an international trade conference.

This is a terrible blow for his native country because the ambassador had come to stop his country from signing a treaty that would allow their enemy to exploit them.

To prevent this from happening, a helpful scientist offers to temporarily revive the diplomat--the catch is that the ambassador can only remain resuscitated for six hours.
Richard Arlen revives his aviation-ace role from Wings in the adventurous Sky Bride. Arlen plays Speed Condon, the star attraction of a barnstorming troupe of stunt flyers. Spencer Tracy and George Cooper star as Wilkie and Mitchell, a pair of buddies who are so stupid that the make Laurel and Hardy seem like Rhodes Scholars. After losing their lifeguard jobs because they can't swim, Wilkie and Mitchell try to avoid being conscripted into the army when WW1 breaks out. Passing herself off as a countess, glamorous Lucy Stavrin (Evelyn Brent) hobnobs with the rich and famous along the French Riviera.

Aware that Lucy is a phony, jewel-thief Malatroff (Paul Lukas) blackmails Lucy into helping him steal the valuable necklace owned by the young wife (Helen Ware) of phlegmatic American businessman Sylvester Corbett (Eugene Pallette).
Song Of The Eagle (1933) The Spirit of Notre Dame (1931) Start Cheering (1938) Stolen Harmony
Song Of The Eagle (1933)
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Spirit of Notre Dame (1931)
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Start Cheering (1938)
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Stolen Harmony (1935)
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This drama centers on the fight for certain post-Prohibitionist groups to gain total control over the liquor industry.

Much of the tale is focused upon a family endeavoring to keep their little brewery. Their tiny beer- making operation was first jeopardized by the racketeers they refused to join.
Bucky ends up getting demoted to blocking for his more talented teammate, Jim Stewart. Bucky is frustrated by his new role and refuses to play. He is promptly benched during the big Notre Dame vs. Army bout. In the end, the Army is beating the pants off the Fighting Irish, and at the last moment Bucky is put into the game. Charles Starrett plays a movie star who wearies of Hollywood and decides to get a college education. He enrolls incognito in a small university, much to the discomfort of his managers Walter Connolly and Jimmy Durante.

Durante heads for college himself, hoping to sabotage Starrett's plans and bring him back before the cameras. The film gives full head to such guest stars as bandleader Louis Prima, vaudevillian Chaz Chase (who had a cigar-eating act), radio's Professor Quiz (Dr. Craig E. Earle), and short-subject headliners The Three Stooges (with Curly!)
In this bouncy musical, a sax-playing ex-convict joins a swing band and embarks upon a cross-country tour. He does really well until an old friend tries to tempt him into becoming a criminal again. The convict refuses the offer so the "friend" retaliates by doing the job anyway and leaving the con to take the rap.
Straight, Place and Show (1938) Strange Case of Clara Deane (1932) Strangers in Love (1932) Studio Murder Mystery (1929)
Straight, Place and Show (1938)
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Strange Case of Clara Deane (1932)
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Strangers in Love (1932)
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Studio Murder Mystery (1929)
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In this musical comedy, the Ritz Brothers inherit a racehorse but are unable to make money from him because they cannot come up with the $1,000 needed to enter him in the big race.

The two get involved with the race anyway when they overhear a group of Russian jockeys conspiring to ruin the race. The brothers then masquerade as the crooked riders and mayhem ensues.

Songs include "With You On My Mind," "Why Not String Along With Me?" (Lew Brown, Lew Pollack; sung by Merman), "International Cowboys" (Ray Golden, Sid Kuller, Jule Styne).
A young dress designer marries an insurance agent. They soon have a
daughter, but what the wife doesn't know is that her husband is
actually a criminal, who soon involves her -unwittingly- in a robbery.
Sentenced to prison, she gives up her baby for adoption. When she is released 15 years later, she sets out to find her long-lost
daughter. A police inspector gets involved in her search and, for
reasons of his own, tries to dissuade her from finding her child.
Disparate twin brothers, a phony will, and a beautiful woman provide the main ingredients for this romantic comedy.

The trouble begins when the evil twin cheats the good one out of his rightful inheritance by faking their father's will. Not realizing that he has been duped, the impoverished brother goes to his twin for help.
Fredric March stars as Richard Hardell, a silent-screen idol whose transition to talkies is threatened by his inability to remember his lines.

Driven to distraction, Hardell's director Richard Borka (Warner Oland) wonders if his star will be able to get through the all-important "murder scene" in his current picture.
Suddenly (1954) Supernatural Take a Chance Ten Dollar Raise aka $10 Raise (1935) + Your Uncle Dudley (1935) + Dad's Choice (1928) Classic Movie featuring Edward Everett Horton
Suddenly (1954)
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Supernatural (1933)
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Take a Chance (1933)
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Ten Dollar Raise aka $10 Raise (1935) + Your Uncle Dudley (1935) + Dad's Choice (1928)
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Suddenly is the name of the small town invaded by professional assassin Frank Sinatra and his henchmen.

Taking a local family hostage, Sinatra sets up a vigil at the second-story window of the family's home. From here, he intends to kill the President of the United States when the latter makes a whistle-stop visit.

The film's tension level is enough to induce goose pimples from first scene to last. Sinatra is outstanding as the disgruntled war vet who hopes to become a "somebody" by killing the president.
This atmospheric suspense film from the makers of White Zombie marked an unusual turn for glamorous Carole Lombard as heiress Roma Courtenay What's to dislike about this movie? Night Owl is a cute tune. Cliff Edwards and James Dunn have a lot of fun. June Knight looks good and Dorothy Lee takes the swivel hip's to a new level. Buy a copy of this movie and have an evening of fun.
Ten Dollar Raise: Character comedian Edward Everett Horton is top-billed in Your Uncle Dudley. Horton is a civic-minded patsy who puts his own interests on the back burner so that he can help out his neighbors.

Your Uncle Dudley: A mild-mannered bookkeeper has trouble asserting himself in both his personal and professional life.

Dad's Choice: Edward Everett Horton plays the sweetheart of Sharon Lynne, whose father (Otis Harlan) doesn't approve -- even though he's never met "Eddie," he's convinced the young man is a lounge lizard
Terror Aboard Thanks A Million (1935) The Monster Walks (1932) The Tunnel (1935)
Terror Aboard (1933)
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Thanks A Million (1935)
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The Monster Walks (1932)
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The Tunnel (1935)
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An ocean liner is found at sea with everyone on board dead. An investigation is begun to find out what happened. A sharp satire of small-town politics, Thanks a Million stars Dick Powell as the leading man of a traveling musical show.

During a short stopover, the troupe witnesses a political rally where a pompous candidate (Raymond Walburn) is wallowing in ineptitude.

Sensing a quick-buck opportunity, the show's manager (Fred Allen) offers to entertain on the politician's behalf.
On a dark and stormy night, Hero and heroine Rex Lease and Vera Reynolds head to Reynolds's ancestral mansion to claim her inheritance. Everyone in the house takes great delight in informing the girl that her scientist father died suddenly Set sometime in the future (complete with two-way televisions, art-deco airships and self-propelled automobiles), the film stars Richard Dix as McAllen, a visionary architect who devotes his life to the construction of a tunnel linking the United States with England.

Despite devastating professional and personal setbacks, including the death of his own son in a tunnel cave-in, nothing dissuades Dix from completing the project.
There's Always Tomorrow (1934) There's That Woman Again (1938) Thirty Years Of Fun (1963) The Thoroughbred (1930)
There's Always Tomorrow (1934)
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There's That Woman Again (1938)
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Thirty Years Of Fun (1963)
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Thoroughbred (1930)
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In the American film debut of British actress Binnie Barnes, a likable and mild-mannered husband and father, Joseph White, begins to feel unneeded, unwanted by his family and generally over the hill.

Alice Vail, who has been secretly in love with him for many years, begins an innocent friendship. His children find out and begin a campaign to put an end to it.
Virginia Bruce and Melvyn Douglas star as Sally and Bill Reardon, husband-and-wife private eyes (Bruce took over from Joan Blondell, who costarred with Douglas in 1938's There's Always a Woman).

This time around, the Reardons investigate a series of jewel robberies which lead to a brace of murders. At times the comedy threatens to overwhelm the mystery angle, but rest assured that Bill Reardon will have collared the guilty party (or, in this case, guilty parties) a few minutes before closing.
The fourth of Oscar-winning short-subject director Youngson's comedy compilations (the earlier ones were Golden Age of Comedy, When Comedy was King, and Days of Thrills and Laughter) is, amazingly, almost as full and fresh as those earlier efforts, containing highlights from such silent comedy classics as Chaplin's Floorwalker, Easy Street, Pawnshop and, best of all, Rink; Buster Keaton's Balloonatic and Daydreams; Harry Langdon's Smile Please, and the prototypical Laurel and Hardy team-up, Lucky Dog. In this drama, a jockey gets caught up in a rivalry between two horse-owners. More trouble ensues when the jockey and one of the owner's daughters are attracted to each other.

He is then entrapped by a tainted but seductive girl working for a sneaky gambler and soon finds himself deeply in debt. To pay it back, the hapless rider is forced to throw a race. Fortunately, he decides not to, and he wins the race. In the end his true-love's father ends up paying his debts.
Three Broadway Girls (1932) AKA The Greeks Had a Word for Them Three-Cornered Moon (1933) Thunder Below (1932) + White Woman (1933) Till We Meet Again (1936)
Three Broadway Girls (1932) AKA The Greeks Had a Word for Them
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Three-Cornered Moon (1933)
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Thunder Below (1932) + White Woman (1933)
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Till We Meet Again (1936)
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Zoë Akins' archetypal "gold-digger" stage comedy The Greeks Had a Word for It was transferred to the screen in 1933, with the "It" changed to "Them" in the title, reportedly at the insistence of over-cautious producer Sam Goldwyn (this became a moot point in the 1940s, when the film was reissued as Three Broadway Girls).

Ina Claire, Madge Evans, and Joan Blondell star as ex-showgirls Jean, Polaire, and Schatze, who pool their resources to rent a luxurious penthouse apartment. Their strategy is as follows: if they live like millionaires, dress like millionaires and act like millionaires, they'll be able to attract wealthy boyfriends.
Three-Cornered Moon is regarded by many film buffs as the first of the genuine "screwball comedies."

Claudette Colbert stars as the only level-headed member of a wacky Brooklyn family.

Her mother (Mary Boland) loses the family fortune in the stock market, forcing Colbert's knuckleheaded brothers to look for work.
Thunder Below (1932 - 67 min) Tallulah Bankhead's first Hollywood movie was this romantic-drama weepie, in which she plays Susan, the unhappy wife of oil rigger Walt (Charles Bickford), who labors in a Central American oil field. The bored Susan falls in love with Walt's good friend Ken (Paul Lukas) but keeps her husband in the dark about her feelings — until he's plunged into darkness for real when he loses his eyesight.

White Woman (1933 - 68 min)In this campy "adult-oriented" drama from the early 1930s, the ruthless manager of a Malaysian rubber plantation marries a singer facing deportation. He offers her a miserable existence of abuse and loneliness. She finds a bright spot with a handsome plantation worker.
In this taut WW I espionage thriller set in 1914, an English actor falls in love with a German actress. When the war erupts, the two are torn apart and begin working as spies for their countries.

They encounter each other, but now they are enemies. Fortunately their love is too deep and is soon rekindled, and an understanding master-spy helps them get to Holland where they can be married.
Tom Sawyer (1930) Tonight Is Ours Touchdown (1931) Transatlantic Merry Go Round (1934)
Tom Sawyer (1930)
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Tonight Is Ours (1933)
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Touchdown (1931)
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Transatlantic Merry Go Round (1934)
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Tom Sawyer, A 1930 Christmas release, was the first talkie version of Mark Twain's beloved novel. A rapidly maturing Jackie Coogan is well cast as Tom, while Junior Durkin is even better as Tom's freewheeling pal Huck Finn.

 Juvenile impressionist Mitzi Green comes on strong in the normally demure role of Becky Thatcher, but that's what her fans expected. On the other hand, Jackie Searl and Clara "Auntie Em" Blandick are perfectly typecast as, respectively, Sid Sawyer and Aunt Polly.
A beautiful queen and her commoner-lover have a rendezvous in her apartment the night before her marriage to a prince. Stunningly and skillfully directed with some great out of this world fancy dress costumes. It is also unmistakeably pre-Code - certain scenes would not be possible not too long into the future. In this gridiron drama, a college football coach and ex-All American will stop at nothing to have a winning team.

The film includes clips of several football legends including Jim Thorpe, Roy Riegels, Howard Jones and Russ Saunders. The story is based on a novel by Francis Wallace, a former member of Knute Rockne's coaching staff.
While crossing the Atlantic aboard a luxury liner, a radio troupe (led
by Jack Benny) becomes involved in a murder mystery among a buffet of
romance, music, trickery and blackmail--ornamented with a few musical
numbers. Underworld king Lee Lother has been killed aboard a ocean liner,
several people could have been the murderer. 
Two For Tonight Under Cover Man (1932) Under Two Flags (1936) The Unholy Garden (1931)
Two For Tonight (1936)
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Under Cover Man (1932)
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